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About Joel Stopka
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Joel Stopka
Born:
Joel Stopka (Trombone) discovered his passion for Afro-Cuban music while studying at the Eastman School of Music in Rochester, NY. Performing with local favorites, Orquesta Antonetti & Las Figuras Del Merengue, Joel was exposed to a many different styles of latin music & was very fortunate learn from such a talented group of musicians.
In 1991, Joel moved to Chicago & was prominent in the music scene writing, producing & performing with local groups & touring artist such as: Orquesta 809 (Isla), Orquesta Sabor, Los Mantas, DLG (Dark Latin Groove), Poi Dog Pondering, Frankie Ruiz, Lalo Rodriguez, Raphael de Jesus, Cheo Feliciano, Charlie Cruz, Huey Dunbar, Cano Estremera, Michael Stuart and Jimmy Bosch.
About Aaron Parnell Brown
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Aaron Parnell Brown
With his trailblazing, instantly memorable songs and gritty, unvarnished vocals, Aaron Parnell Brown is among the most extraordinary artists in Jazz, Soul, and Blues. Since the 2012 release of his self-released debut, Sing, Brown's rise from playing small clubs in Northeastern Pennsylvania to playing live on the iconic NPR roots music show Mountain Stage is nothing short of phenomenal. With accolades like winning an Independent Music Award and Soul/R&B Artist Of The Year (Tri State Indie Music Awards) he continues to be an artist to watch.
About Michael Sutton
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Michael Sutton
Born:
Michael Sutton, a seasoned jazz vocalist, emerges with his highly anticipated debut album, "Those Leftover Dreams." His rich and soulful vocals take centre stage, leaving an indelible mark on each jazz composition. Backed by an exceptional ensemble featuring Rob Barron, Jeremy Brown, Mark Taylor, and Quentin Collins, Sutton's album seamlessly blends familiar tunes with delightful surprises.
Music has been integral to Sutton's life since his teenage years, where he gigged as a musician. A detour into a stable career in cardiology during his mid-twenties didn't diminish his musical passion. After seven years, Sutton returned to pursue his dream, collaborating with Barron, leading to the creation of 'Those Leftover Dreams’ all under the expert guidance Claire Martin OBE as producer.
About Ben Higham
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About Samuel Morgan
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About Wesley Montaigne
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About Kim Cypher
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Kim Cypher
Kim Cypher is creating quite a stir on the jazz scene at present. As one of the UK’s most exciting saxophonists, vocalists, composers, band leaders and radio hosts, Kim has firmly secured a reputation for delivering the highest quality performance with incredible style, passion, energy, and charisma together with her renowned vivacious stage presence and warm connection with all audiences.
A regular performer on the London and UK jazz circuit, having sold out the main stage at world-renowned Ronnie Scott’s Jazz Club and performed in New York, Kim’s experience, all-round skills and natural ability to win the hearts of all audiences offer a unique ‘full package’ for the very best in jazz performance.
About Rob Crocker
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Rob Crocker
Born:
Rob Crocker, who worked as a radio host at WBGO for more than three decades, died on March 7, 2024, at his home in New York City. He was 78 years old. The cause of death, according to his family, was coronary disease and complications from asthma. Crocker had the singular distinction of being the longest-running disc jockey in the history of jazz radio in New York City.
Born in Brooklyn on November 1, 1945, Crocker was a musician in high school, but his life took a turn towards broadcasting when injuries, sustained in Vietnam, cut short his future as a performer. He started his broadcasting career as a programmer in Europe; Crocker co-hosted the Holland-based show "Sad Eyed Lady of the Lowlands" for Radio Free America.
About Michael Snow violin and keyboards
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About Grace Kelly
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Grace Kelly
Born:
As Grace Kelly defiantly reminds us on The Other One, a standout number from her upcoming
Album, Trying To Figure It Out, she’s not looking to be like anyone else. “Got my own thing,” she sings over the song’s urban, trance-like groove. Although the singer and saxophone player has been acclaimed by critics and audiences alike as a jazz musician, the track’s exhilarating chorus, haunting keyboard hook and brittle electro edge show an artist interested only in playing what she loves labels be damned.
While a current Kelly concert might delight jazz purists with Great American Songbook standards, it could just as easily inspire mainstream listeners with Gracei-fied takes on the likes of Daft Punk’s Get Lucky, Coldplay’s Magic or Sia’s Chandelier.


