Results for "Jazz Vocalist"

Susanna Aleksandra

Born: September 21, 1989

Susanna Aleksandra is an Estonian jazz singer, lyricist and composer currently based in Los Angeles. Passionate for languages, she effortlessly plays with words and melodies, navigating through traditional, modern and Latin Jazz. A natural storyteller, the charismatic singer holds the listener spellbound, making jazz approachable not only for jazz lovers. Susanna’s other passion besides music is languages. She holds a degree in French language and literature and is a fluent speaker of 6 languages.

Louie Moon

Louie Moon Biography Interview by "Jazzbo Collins" Where were you born? I was born in northwest Washington D.C. three days after Christmas, and moved to California at age nine. I grew up in the San Francisco Bay Area. When did you first discover music? Our house in D.C. was always filled with music. My Mother had a dance studio in our basement and I remember sitting underneath the piano for hours listening to both Classical and Jazz music. It was then that I first heard the voices of Nat King Cole, Ella Fitzgerald and Judy Garland and the music of Duke Ellington and Billy Strayhorn

Celia Berk

Celia Berk is an award-winning vocalist whose recordings have attraced listeners around the world. She is known for her intimate interpretations, warm cello sound, and affinity for hidden gems by great songwriters. Celia has made memorable appearances at Carnegie Hall, Jazz At Lincoln Center, Birdland Theater, 54 Below, The Town Hall and The National Arts Club. Celia has been praised by some of the most prominent champions of The Great American Songbook. Her recordings are available on Apple Music, Amazon, Spotify, Pandora, YouTube Music and more. Celia is a Voting Member of The Recording Academy

Blaise Lantana

Born: May 14, 1961

Blaise Lantana grew up in Philadelphia playing piano and singing and started playing blues in Philly and New York. She eventually moved to Texas, studied guitar and voice at Texas A & M, Corpus Christi, and created a Latin Jazz band to play her original music at festivals in the southwest. In the 90s she moved to Phoenix and put together her band Cool train, playing swing, bossa and blues. Today you can hear Blaise on the radio at KJZZ 91.5 weeknights at 8. And you can hear her sing and play guitar with her band at different venues and events around the valley. She performed with her band at the Desert Botanical Garden in Phoenix in November and the Musical Instrument Museum in March

Boaz

Born: March 25, 1990

Boaz Marva is a Guitarist, Composer, Singer and Arranger. Boaz has grown up in a musical environment and studied at the Charles E. Smith High School for the Arts in Jerusalem, Israel as a teen. He has later played in many projects and bands, Including Kivsus, Abrage, Scarcity, Mania D' Pressia, The CJS big band, and more. Since coming to New York City in late 2016 he has been surrounded and taught by some of the bigger names in the scene such as Sam Yahel, Doug Weiss, Peter Bernstein, Reggie Workman, David Schnitter and many others. In 2018 Boaz Graduated his BFA from The New School in Jazz Performance.

Maria Jazzy

Maria Jacobs

Born: June 27, 1968

Maria Jacobs is an American Jazz vocalist, singer/songwriter and author. She is the Adjunct Professor of Applied Vocal Jazz at Kent State University. Born of Syrian Lebanese and Armenian descent, Maria was raised in Cleveland, Ohio where she frequently shared the bandstand with her father Mike Jacobs, a drummer and singer in the area. She is a national voice over artist and a Traditional/Smooth Jazz recording artist who has charted on the Groove Jazz and Smooth Jazz Global Holiday Charts. Maria became a licensed music educator following the completion of her second degree in music education from Kent State Universiy and began working as a Principal Conductor and Curriculum Advisor for The Open Tone Music Academy, who now partners with Jazz At Lincoln Center

Renee Manning

Born: February 8, 1955

Born and bred in Brooklyn, N.Y., Renee Manning stands out from the crowd. Her robust voice, rich tones and impeccable time make her truly a musicians vocalist. Her debut in the jazz world as the singer with the Mel Lewis Orchestra (from 1983-1989) was the longest tenure of any vocalist associated with that organization . By chance, Mr. Lewis heard Renée performing at Mikells . He invited her to sit in with his band at the Village Vanguard and after a standing ovation hired her as his vocalist on the spot. Since then she has proven to be an incredibly versatile singer. Many, however associate her with big bands and the blues

John and Kelly Fumo with Fumosonic

Active since: November, 1989

Fumosonic is the culmination of 20+ years of marriage and collaboration between John and Kelly Fumo. The vision of these two musician/composers from Los Angeles, CA is a transformative musical experience that draws upon John’s jazz influences and Kelly’s love of music. The pair met while doing a recording session for singer Delaney Bramlett and had an instant connection. Their journey began with the first song they created called “Shut Up and Go Home!”, which showcases the unique formula of a heavy beat, Kelly’s strong vocals and some free jazz improvisation by John. John’s trumpet playing may be heavily influenced by Miles Davis and the free expressions of jazz music, but he has worked as a side man with the likes of Neil Diamond, James Brown, Beck and Brian Setzer

Patrice Jégou

What do competition-level figure skating, classical vocal technique and an exuberant feel for jazz have in common? Only one thing. And her name is Patrice Jégou. Her new album, IF IT AIN’T LOVE - kicks off with a blazing a cappella rendition of “Lover Come Back to Me,” with Take 6’s Mark Kibble and Alvin Chea providing stunning, hard-swinging backup. From there Jégou leads us through a garden of delights — big-band romps with the Clayton-Hamilton Jazz Orchestra, sensuous string-kissed ballads arranged by Jorge Calandrelli, artfully crafted charts by Mike Lang and David Paich, and much more. But Jégou herself holds center stage, whether on the intimate keyboard-and-voice setting of “It Might Be You,” the spare elegance of Randy Newman’s “Losing You” or the show-stopping “I’m So Glad I’m Standing Here Today.” And when sharing the spotlight with gospel diva Táta Vega on “Yes We Can, Can,” and smooth crooner Javier Almaráz on “Remembrances,” she delivers a textbook lesson on duo performance. What’s most remarkable is that this music might never have happened if not for one remark made in passing by a colleague of hers, not many years ago. She had already accomplished much before that day