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The Myth of the Holy Trinity—It's Actually the Big Four
by Todd M. Carlsen
There is a received wisdom in jazz that goes unchallenged. The greatest female jazz vocalists are a fixed trio: Ella Fitzgerald, Billie Holiday, and Sarah Vaughan. Critics repeat it. Jazz education enshrines it. This is one of the great misreadings in American music history. Peggy Lee is the third seat. She also holds a ...
He Blinded Me With Jazz: The Surprising Jazz DNA in the Music of Thomas Dolby
by Kurt Ellenberger
I. Introduction Thomas Dolby is one of the most prominent and recognizable synth pop artists of the '80s. His carefully crafted brand as the bookish, bespeckled mad synthesizer scientist" was perfect for the time period when MTV emerged as a dominant force in the music industry. MTV made the music video an essential part of an ...
Andy Wasserman, George Russell, and the Living Lineage of the Lydian Chromatic Concept
by Patrick Doyle
Few theoretical works have altered the course of modern jazz as profoundly as George Russell's Lydian Chromatic Concept of Tonal Organization. Fewer still have had their legacy preserved with the depth of care, fidelity, and lived musicianship that Andy Wasserman has devoted to it for more than four decades. For over 40 years, Wasserman ...
Make Him an Offer He Can't Refuse: Tony Bennett and Mafia Films
by Peter Wogan
Tony Bennett's song I Wanna Be Around" (1962) pulls the listener in interesting directions. It contains Ralph Sharon's playful piano notes, the cheerful C major key, and Tony Bennett's silky smooth voice--yet the lyrics are all about vengeance and deriving joy from another person's suffering. As Bennett sings, And that's when I'll discover that revenge is ...
Have A Holly, Jazzy Christmas
by Kurt Ellenberger
In my music history classes, particularly in November and December, students have often asked me about the relationship between jazz and Christmas: Why are so many popular Christmas songs so jazzy?" It is a good question--indeed, many of the most popular secular Christmas music does have a jazz flavor, while a few are actually jazz. There ...
The Plaintive Sigh of a Sonic Doppelgänger: Why are Minor Chords Perceived as “Sad”? Part 3
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Sad Song Survey Why Minor Chords and Minor Keys are Sad: Meet the Sonic Phantoms in the EtherTo begin our investigation into the hidden cause of our peculiar perception of minor chords and keys, we will listen to a trombone quartet playing a C minor ...
The Plaintive Sigh of a Sonic Doppelgänger: Why are Minor Chords Perceived as “Sad”? Part 2
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Sad Song Survey IV. The Power of the Minor Chord and Minor Keys in Classical and JazzTo begin our discussion on what it is that makes minor chords sad, we will first listen to some examples of the use of minor chords and minor ...
The Plaintive Sigh of a Sonic Doppelgänger: Why are Minor Chords Perceived as “Sad”? Part 1
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Sad Song Survey PreambleDaniel Levitin, in his popular bestseller entitled This is Your Brain on Music: The Science of a Human Obsession from 2006, characterizes the perception of the minor chord, which lowers the third of a major chord by a half-step, as follows:
From Flock to Shepherd: The Evolution of the Drummer-Led Ensemble in Jazz
by Jon Sheckler
On November 15th, 2017 at 8:30pm, the Jazz Standard in New York City had a line around the block. Starting from the dual entrance of the Jazz Standard jazz club and Blue Smoke restaurant in the direct middle of East 27th Street, the line of people stretched almost to Lexington Avenue, nearly 300 feet. Just after ...
The Great Hall: Perseverance Society Hall and the Beginnings of Jazz, Part 3
by Jon Sheckler
Part 1 | Part 2 | Part 3 Part 3: The Great Jazz HallPerseverance Society Hall was a multi-use facility for much of its history. But the chief use of the expansive interior was membership events. The design had even included a unique feature: a musicians' mezzanine was built at the back end of ...


