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MUSICIAN Born:

Jay Thomas

Jay Thomas, a native of Seattle, is a versatile multi-instrumentalist (trumpet, flugelhorn, alto, tenor, soprano and flutes). His music is eclectic, drawing on all musical situations in his life. His music could be described as lyrical without losing touch with the blues. Jay's musical talent was recognized early on. While still in high school he was the recipient of a Down Beat one-year scholarship to the Berklee School of Music in Boston. From Boston Jay moved to New York where he frequented Village jam sessions and worked one summer with Machito's Latin band. Three years later he had added flute and tenor to his repertoire

Praise and Devotion:Inspirational Jazz

Label: Solid Groove Recordings
Released: 2020

Constellation

Label: Self Produced
Released: 2020
Track listing: I Ain't Got Nothing but the Blues; Stormy Monday; Rich Man Blues; There Is Something on Your Mind; Your Love; Turn Me On; I Can't Make You Love Me; The Thrill Is Gone; This Bitter Earth; Path of the Mystic.

ARTICLE: PROFILE

20 Seattle Jazz Musicians You Should Know: Jay Thomas

Read "20 Seattle Jazz Musicians You Should Know: Jay Thomas" reviewed by Paul Rauch

The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 30's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...

ARTICLE: PROFILE

20 Seattle Jazz Musicians You Should Know: Chuck Deardorf

Read "20 Seattle Jazz Musicians You Should Know: Chuck Deardorf" reviewed by Paul Rauch

The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and '30s. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...

NEWS: RECORDING

Jazz And Blues Vocalist Mercedes Nicole Debuts Her Self-Released New Blues Project ‘Constellation' Set For June 2020!

Jazz And Blues Vocalist Mercedes Nicole Debuts Her Self-Released New Blues Project ‘Constellation' Set For June 2020!

Ms. Nicole weaves an intimately contagious web of love and passion. She returns this time with award winning multi-instrumentalist Jay Thomas, Evan Flory-Barnes, and D’Vonne Lewis for the incantation of romance that truly sets the tone to escape the chilling reality of today’s landscape. “Thomas, Barnes, Lewis evoke emotions of surrender that cannot be denied” —Mercedes ...

ARTICLE: PROFILE

Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution

Read "Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution" reviewed by Paul Rauch

It was the tail end of a long weekend. Temperatures had risen to 80 degrees under a sunny only-in-Seattle blue sky, the waterways and markets humming with a sea of humanity. It was not a night one would expect many to venture into the quiet, dark solitude of Tula's Jazz Club, where for nearly 26 years ...

ARTICLE: ALBUM REVIEW

Jay Thomas with the Oliver Groenewald NewNet: I Always Knew

Read "I Always Knew" reviewed by Jack Bowers

There aren't many jazz musicians who play both brass and woodwinds, fewer still who play them as well as the veteran Seattle-based virtuoso Jay Thomas (the word “virtuoso" is used with due care). On I Always Knew, recorded in January 2018 with German-born trumpeter / arranger Oliver Groenewald's NewNet, Thomas traverses the ballad form on a ...

ARTICLE: INTERVIEW

Chuck Deardorf: Hanging On To The Groove

Read "Chuck Deardorf: Hanging On To The Groove" reviewed by Paul Rauch

Bassist Chuck Deardorf has gained a reputation for virtuosity and professionalism over a career that has thus far spanned 40 years. He has been the first call bassist in Seattle for most of his career, playing with some of the most renowned musicians in the history of jazz. For many years, despite having a prolific local ...

ARTICLE: ALBUM REVIEW

Jay Thomas with the Oliver Groenewald Newnet: I Always Knew

Read "I Always Knew" reviewed by Paul Rauch

Jay Thomas has lived the jazz life. He has endured, overcome, and continued to artistically thrive through all the ruminations of a path chosen by few. While much of his life may form a parallel story to those of many, Thomas' version, his personal adjunct to its litany, is a story of artistic triumph that opened ...


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