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156

Article: Album Review

Mike Baggetta Quartet: Source Material

Read "Source Material" reviewed by Mark F. Turner


Guitarist Mike Baggetta's versatility has been in the thick of New York's creative music scene, whether performing with Tom Harrell or front-lining projects like Bridges (MabnotesMusic, 2011), a duo recording with trumpeter Kris Tiner. Source Material is Baggetta's follow up to 2009's Small Spaces (Fresh Sound), with a working quartet that includes robust sax work from ...

225

News: Performance / Tour

Bassist-Composer Kyle Eastwood To Tour Select U.S. Cities in November

Bassist-Composer Kyle Eastwood  To Tour Select U.S. Cities in November

"Kyle Eastwood's Metropolitain achieves an original jazz sound that combines the tradition of his father, Clint's record collection with a new generation of influences. [His] music allows impressions to exist clearly, with a full-body experience that lives on through his jazz ideas." - All About Jazz “Eastwood has put together an intriguing collection of modern jazz ...

Album

The Sage

Label: Fresh Sound Records
Released: 2009
Track listing: Magenta; Crux; Shift of Color; The Sage; Tone Poem; Slip; The Archer; Jealous Moon.

Article: Album Review

Jason Rigby: The Sage

Read "The Sage" reviewed by AAJ Italy Staff


Dopo le ottime accoglienze avute nel suo esordio da leader (Translucent Space, Fresh Sound), il sassofonista newyorchese conferma d'avere idee chiare e buon talento per organizzarle. The Sage t'avvolge con un'ondata di suoni familiari, fondendo le atmosfere davisiane di fine anni sessanta (Shorter e Hancock soprattutto) con la libertà melodica e armonica di Ornette. Il tutto ...

299

Article: Album Review

Mike Baggetta Quartet: Small Spaces

Read "Small Spaces" reviewed by Bruce Lindsay


New York based guitarist Mike Baggetta has recorded as a band leader before, but Small Spaces is his first CD as the leader of a quartet. This beautifully recorded CD of seven Baggetta originals and one cover, produced by Baggetta himself, shows that his 2009 ASCAP Young Jazz Composer award was well-deserved. Baggetta's ...

500

Article: Live From New York

July 2009

Read "July 2009" reviewed by AAJ Staff


Smoke Big BandSmokeNew York City June 4, 2009When the Smoke Big Band, under the direction of Bill Mobley, crowded onto the Smoke bandstand for its second set (Jun. 4th), the focus was on music by '80s-era Jazz Messengers alumni: Billy Pierce, Donald Brown and Mulgrew Miller. Mobley is a trumpeter, ...

1,015

Article: Big Band Caravan

Jason Hainsworth Big Band / DePaul University Jazz Ensemble / Big Band Ritmo Sinfonica Citta di Verona / Howard University Jazz Ensemble

Read "Jason Hainsworth Big Band / DePaul University Jazz Ensemble / Big Band Ritmo Sinfonica Citta di Verona / Howard University Jazz Ensemble" reviewed by Jack Bowers


Jason Hainsworth Jazz Orchestra Kaleidoscope DW Jazz 2009 On his first turn at bat, composer / arranger / tenor saxophonist Jason Hainsworth has not only slammed one out of the park with Kaleidoscope but has produced a viable entrant in the big-band Record of the Year sweepstakes. The ...

248

Article: Album Review

Jason Rigby: The Sage

Read "The Sage" reviewed by Eyal Hareuveni


The sophomore release of New York-based saxophonist/composer Jason Rigby features him as a unique new voice that deserves wider attention. His deep, full-bodied tenor sound and his inside-outside jazz vocabulary reference sax greats such as John Coltrane and Wayne Shorter, while his elastic sense of time sounds closer to the fluid playfulness of Ornette Coleman. His ...

284

Article: Album Review

Jason Rigby: The Sage

Read "The Sage" reviewed by Jerry D'Souza


Jason Rigby is a bold and adventurous composer and saxophonist. He blends styles artfully and gives them a tangent and direction that are out of the ordinary and. in doing so, he brings in a perspective that is as exciting as it is satisfying. Rigby made his debut as a leader with Translucent Space ...

240

Article: Album Review

Jason Rigby: The Sage

Read "The Sage" reviewed by J Hunter


When purists maintain their Cheney-like insistence that nobody could have foreseen Miles Davis recording something as incendiary as Bitches Brew (Columbia, 1969), they reveal a blind spot the size of the Chrysler Building. The pre-Brew signs were as plain as the glasses on Stanley Crouch's face: First there was Filles de Kilimanjaro (Columbia, 1968), which codified ...


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