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5

Article: Live Review

Moers Festival: Moers, Germany, May 17-20, 2013

Read "Moers Festival: Moers, Germany, May 17-20, 2013" reviewed by Henning Bolte


Moers Festival 2013Moers, GermanyMay 17-19, 2013The internationally renowned Moers Festival again arrived at a turning point, with its 42nd edition. It was the last edition with the famous blue marquee in the vast Castle-park of the city of Moers. Next year, the festival will continue in a reconstructed solid hall, an old covered ...

7

Article: Live Review

ELBJazz Festival 2013: Hamburg, Germany, May 24-25, 2013

Read "ELBJazz Festival 2013: Hamburg, Germany, May 24-25, 2013" reviewed by John Kelman


ELBJazz FestivalHamburg, GermanyMay 24-25, 2013Attending a multitude of festivals each year, there's always the challenge of finding the hook--the thing that makes a festival different from any other. When it comes to Hamburg's ELBJazz Festival, now only in its fourth year, it's easy. A harbor town on the Elbe River, located just 70 ...

9

Article: Live Review

Vossa Jazz 2013

Read "Vossa Jazz 2013" reviewed by John Kelman


Vossa JazzOslo, NorwayMarch 22-24, 2013Every festival hopes to have a signature, that certain something that differentiates it from all the rest and makes it a desired destination, but few have as many things going for it as the annual Vossa Jazz Festival, now in its 40th year. It certainly may seem ...

6

Article: Interview

Donny McCaslin: Lightness and Gravity

Read "Donny McCaslin: Lightness and Gravity" reviewed by Jeff Dayton-Johnson


Saxophonist Donny McCaslin seems like a young player, given his energy and inventiveness. But he has been playing jazz for three decades. As a child, he was part of his father's jazz ensemble and a member of his high school jazz band. He led his own bands after moving to New York from his native California, ...

4

Article: Take Five With...

Take Five With Tyler Mitchell

Read "Take Five With Tyler Mitchell" reviewed by AAJ Staff


Meet Tyler Mitchell: Chicago born Tyler Mitchell studied the bass with Don Rafael Garrett (John Coltrane, Archie Shepp, Rahsaan Roland Kirk) and Malachi Favors (Art Ensemble of Chicago). He played with Von Freeman before moving to New York in 1984. In 1985/86, he joined the Sun Ra Arkestra, with whom he played and toured ...

9

Article: Album Review

Donny McCaslin: Casting For Gravity

Read "Casting For Gravity" reviewed by Glenn Astarita


Incorporating electronic instrumentation into his palette, tenor saxophonist Donny McCaslin dishes out a thrusting program that could, to some extent, be nestled within the jazz-fusion genre, but not in the traditional sense. The hard-hitting saxophonist and his band integrate fusion mechanics and spacey treatments to underscore many of the popping grooves, thundering pulses, knotty time signatures ...

5

Article: Album Review

Donny McCaslin: Casting For Gravity

Read "Casting For Gravity" reviewed by Jeff Dayton-Johnson


Tenor saxophonist Donny McCaslin has bravely developed a uniquely personal sound that proudly claims its heritage in the long mainstream of jazz, yet sounds freshly innovative. He has released eleven albums under his leadership, among which Recommended Tools (Greenleaf, 2008), with its punishing, revealing trio format, was a high-water mark. McCaslin deploys sheets-of-sound density inherited from ...

4

Article: Live Review

Anat Cohen at Kennedy Center Jazz Club

Read "Anat Cohen at Kennedy Center Jazz Club" reviewed by Franz A. Matzner


Anat Cohen has received no shortage of accolades of late and her rise is a testament to her stunning capacities on clarinet and saxophone. She is no stranger to Washington, DC audiences either, packing clubs and concert halls from Bohemian Caverns to the Sixth and I Synagogue. Most recently, Cohen filled the Kennedy Center's Jazz Club, ...

5

Article: Album Review

Donny McCaslin: Casting For Gravity

Read "Casting For Gravity" reviewed by Mark Corroto


If saxophonist Donny McCaslin stuck a toe into the ocean of electric jazz with his previous album Perpetual Motion (Greenleaf, 2010), then with Casting For Gravity he dives headfirst into the sea. But don't worry, with his musical dexterity and adeptness on horn, he is in no danger of sinking. In fact, he takes to these ...

6

Article: Interview

Dafnis Prieto: Experiments in Spontaneity

Read "Dafnis Prieto: Experiments in Spontaneity" reviewed by R.J. DeLuke


Improvisation--music in the moment, eloquently once called “the sound of surprise"--takes place in genres besides jazz. But in America's indigenous art form, it is a cornerstone. The degree to which a song might contain improv varies greatly. Sometimes it's hard to tell in a highly arranged piece where the musicians are taking liberties. Other times its ...


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