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Merzbow/Mats Gustafsson/Balázs Pándi: Live In Tabačka 13/04/12
by Mark Corroto
Let's bring back the maxim; “If it's too loud--you're too old." Certainly, when you listen to noise-music (is that an oxymoron? Absolutely not.) loudness is to a composition, what rhythm is to George Gershwin. That said, Live In Tabačka 13/04/12 is fascinating noise. This recording, released as a limited (400 copies) LP and digital ...
Merzbow/Mats Gustafsson/Balázs Pándi/Thurston Moore: Cuts of Guilt, Cuts Deeper
by Mark Corroto
The Cuts Quartet is a sort of assembled supergroup. But we are not talking Traveling Wilburys or Audioslave here. Groups where the sum is certainly less than the parts. No, the amalgam of Japanese noise artist Merzbow (aka Masami Akita), Swedish saxophonist Mats Gustafsson (Fire! Orchestra, The Thing), American guitarist Thurston Moore (Sonic Youth), and Hungarian ...
Roger Turner & Otomo Yoshihide: The Last Train
by John Eyles
Recorded at Tokyo's Hara Museum in February 2013, this duo brings together London's Roger Turner on percussion with Japan's own Otomo Yoshihide on guitar and amplifier, an improv meeting of two masters with very different but equally impressive histories. Across four tracks ranging in length from four to sixteen-and-a-half minutes--forty minutes altogether--they give an object lesson ...
Happy Family: Minimal Gods
by Glenn Astarita
Since its self-titled Happy Family (Cuneiform, 1995) and Toscco (Cuneiform, 1997) this sinewy and agile Japanese quartet has remained relatively dormant. But with Minimal Gods, the ensemble's colossal power and mesmerizing agility reemerges with massive doses of adrenaline and robust compositional prowess. Indeed, they haven't lost their touch or one iota of chutzpah during the interim. ...
Akira Sakata, Johan Berthling, Paal Nilssen-Love: Arashi
by AAJ Staff
Furia transgenerazionale e intercontinentale quella condivisa dal sassofonista giapponese Akira Sakata (70 anni a febbraio) con Johan Berthling e Paal Nilssen-Love, basso e batteria che chi conosce un po' le meraviglie del jazz scandinavo ormai ha imparato a considerare “di famiglia." Figura storica del free nipponico, Sakata è musicista che può piacere o meno, ...
The Rich Musical Vision of Japanese Double Bass Player Tetsu Saitoh
by Eyal Hareuveni
Japanese double bass master Tetsu Saitoh is one of the most original players of the bull fiddle. He is a resourceful and inventive free improviser but also feels at home when is playing Argentine tango, Brazilian music, Korean shaman music, obviously jazz or collaborating with poets, painters, dancers or theatre groups. All enrich his musical world ...
Daï Fujikura: Pascal Gallois conducts Prague Modern
by Alberto Bazzurro
Nato a Osaka nel 1977, Daï Fujikura si trasferisce a Londra quindicenne con l'intento di specializzarsi nella composizione per il cinema. Nella capitale inglese viene però a contatto con la grande musica contemporanea--Boulez, che diventerà poi un suo convinto estimatore, e Ligeti su tutti--e decide di ampliare i propri orizzonti. Va a Darmstadt e approfondisce lo ...
Koichi Makigami Presents His Unique Musical Vision In The Stone
by Eyal Hareuveni
At the end of October, Japanese vocal artist extraordinaire Koichi Makigami celebrates his unique, eclectic and often eccentric art during a week long residence at The Stone club in New York. Makigami will play with old comrades and some newer, like-minded musicians in a rare opportunity to present his band Hikashu in a different setting.
Paul Jackson Trio: Groove Or Die
by Bruce Lindsay
Groove Or Die. So says Paul Jackson, bassist extraordinaire. It's clear that the decision isn't one that's troubled Jackson, or fellow band members Xantoné Blacq and French percussionist Tony Match, for too long--this album is all about the groove. Or, to be more specific, the grooves. Jackson has been a first-call bassist for many ...
Gato Libre: DuDu
by Hrayr Attarian
Trumpeter Natsuki Tamura's quartet Gato Libre has always recorded stimulating, progressive music heavily laced with a Spanish lyricism. DuDu is no exception. “Mouse" is the prime example of this. On it the musicians push far the harmonic boundaries of their respective instruments creating delightfully jarring cacophony intertwined with intensely melodic explorations.Despite the personnel change ...
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