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Akira Sakata, Johan Berthling, Paal Nilssen-Love: Arashi
by Enrico Bettinello
Furia transgenerazionale e intercontinentale quella condivisa dal sassofonista giapponese Akira Sakata (70 anni a febbraio) con Johan Berthling e Paal Nilssen-Love, basso e batteria che chi conosce un po' le meraviglie del jazz scandinavo ormai ha imparato a considerare “di famiglia." Figura storica del free nipponico, Sakata è musicista che può piacere o meno, ...
The Rich Musical Vision of Japanese Double Bass Player Tetsu Saitoh
by Eyal Hareuveni
Japanese double bass master Tetsu Saitoh is one of the most original players of the bull fiddle. He is a resourceful and inventive free improviser but also feels at home when is playing Argentine tango, Brazilian music, Korean shaman music, obviously jazz or collaborating with poets, painters, dancers or theatre groups. All enrich his musical world ...
Daï Fujikura: Pascal Gallois conducts Prague Modern
by Alberto Bazzurro
Nato a Osaka nel 1977, Daï Fujikura si trasferisce a Londra quindicenne con l'intento di specializzarsi nella composizione per il cinema. Nella capitale inglese viene però a contatto con la grande musica contemporanea--Boulez, che diventerà poi un suo convinto estimatore, e Ligeti su tutti--e decide di ampliare i propri orizzonti. Va a Darmstadt e approfondisce lo ...
Koichi Makigami Presents His Unique Musical Vision In The Stone
by Eyal Hareuveni
At the end of October, Japanese vocal artist extraordinaire Koichi Makigami celebrates his unique, eclectic and often eccentric art during a week long residence at The Stone club in New York. Makigami will play with old comrades and some newer, like-minded musicians in a rare opportunity to present his band Hikashu in a different setting.
Paul Jackson Trio: Groove Or Die
by Bruce Lindsay
Groove Or Die. So says Paul Jackson, bassist extraordinaire. It's clear that the decision isn't one that's troubled Jackson, or fellow band members Xantoné Blacq and French percussionist Tony Match, for too long--this album is all about the groove. Or, to be more specific, the grooves. Jackson has been a first-call bassist for many ...
Gato Libre: DuDu
by Hrayr Attarian
Trumpeter Natsuki Tamura's quartet Gato Libre has always recorded stimulating, progressive music heavily laced with a Spanish lyricism. DuDu is no exception. “Mouse" is the prime example of this. On it the musicians push far the harmonic boundaries of their respective instruments creating delightfully jarring cacophony intertwined with intensely melodic explorations.Despite the personnel change ...
Satoko Fujii Orchestra New York: Shiki
by Hrayr Attarian
Pianist Satoko Fujii's Shiki is an intriguing albeit somewhat flawed album. Its dramatic title track and centerpiece clocks over 35 minutes and is filled with sweeping and thrillingly dissonant harmonies and provocative musical ideas. Opening with mournful, expectant drone it goes through a series of alternating symphonic vamps and stimulating instrumental conversations and monologues. These individual ...
Gato Libre: DuDu
by John Sharpe
The fifth album by Gato Libre, trumpeter Natsuki Tamura's acoustic quartet, is the first since the sudden death of bassist Norikatsu Koreyasu in 2011. Having thought long and hard about whether to continue, Tamura recruited trombonist Yasuko Kaneko as a replacement. While the European folk music inspiration of previous outings like Shiro (Libra Records, 2009) and ...
Jason Kahn & Tim Olive: Two Sunrise
by John Eyles
For those familiar with the two previous releases on Tim Olive's own 845 Audio imprint, the release of Two Sunrise will hold few surprises. As before, its brown chipboard sleeve is adorned with basic graphics and information, giving it a “cottage industry" feel--no bad thing as it follows a noble tradition created by such musician-run labels ...
The Wild, Eclectic World of Koichi Makigami's Hikashu Band
by Eyal Hareuveni
Japanese vocal artist Koichi Makigami's main musical vehicle has been his band Hikashu since the late seventies. This band embodies Makigami's colorful eclectic tastes and myriad vocal personalities. They succeed in tying together eccentric collective improvisations, Japanese theater traditions or elements from Japanese films and pop songs, references to progressive rock and wild, virtuoso vocal acrobatics. ...
