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Live Review: James Taylor and Carole King at the Hollywood Bowl
James Taylor and Carole King made no effort to disguise their ages Thursday night at the Hollywood Bowl, where the two sixtysomething singers played the first of three dates on their Troubadour Reunion trek. The world tour which stops Tuesday at the Santa Barbara Bowl and wraps July 20 at the Honda Center in Anaheim comes ...
John Pizzarelli: Rockin' in Rhythm
by Woodrow Wilkins
He's the captain of cool. It seems no matter which songs he performs, guitarist and vocalist John Pizzarelli always delivers a certain amount of dashing and debonair. Rockin' in Rhythm: A Tribute to Duke Ellington is no exception.Items repeatedly culled from the American Songbook can become trite. But Pizzarelli has a knack for making ...
Amy Cervini: Lovefool
by Andrew Velez
For this recording songbird Amy Cervini drops ever so lightly upon songs on the theme of love. The sources are as varied as Jack Johnson and Depeche Mode, covering a broad spectrum of genres, styles and periods. The opener, “Bye-Bye Country Boy," recalls a sophisticate's brief pastoral dalliance. It's a tune that others are rediscovering now ...
L'Image (Mainieri/Bernhardt/Spinozza/Levin/Gadd): 2.0
by John Kelman
It may seem odd to take nearly 40 years to release a debut, but in the case of L'Image it's definitely a case of never-too-late. A collective formed by vibraphonist Mike Mainieri in the early 1970s, L'Image generated considerable buzz for its live shows before, on the cusp of recording its first album, circumstances forced the ...
Ocote Soul Sounds: The Ocote Way
by James Taylor
Ocote Soul Sound is the brainchild of two incredibly accomplished musicians, who continue to operate just under the radar;one more project to occupy the diminishingly available time of guitarist Adrian Quesada and flautist Martin Perna. With roots in the otherworldly grooves of label mates and benefactors Thievery Corporation, Ocote Soul Sounds' Coconut Rock (ESL, 2009), builds ...
Christian McBride: Getting the Inside Straight
by Esther Berlanga-Ryan
If we think about it for a little while, it's possible to believe that there is something almost mystic and undeniably powerful about jazz. The way it developed through the years and its constant ignition-like energy; the creativity of those who lead the way and those who continue the journey today; the improvisation that takes over ...
Ben Neill: Starting a Dub War
by James Taylor
To say that Ben Neill plays the trumpet--the instrument of such jazz legends as Miles Davis and Clifford Brown--is an epic understatement. “I think electronica is like a new form of jazz--it's an instrumental form of music that plays out in popular culture but has musical ideas that go beyond the expectations of pop music," says ...
No "Vanity" Here: Jackie Ryan, Denise Donatelli, Lisa Sokolov, Kat Edmonson
by J Hunter
One of the whinier columns ever to appear in a major jazz publication concerned “Vanity Projects"--that is, sessions bankrolled by rich men for their marginally talented spouses/girlfriends/siblings/whatever. Unfortunately, those kind of recordings do exist, and in far greater numbers than desirable. However, the author's implication was that most female vocal projects could be categorized in this ...
John Surman: From Boy Choirs to Big Horns
by John Kelman
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
Umbria Jazz: Days 7-10, July 16-19, 2009
by Michael J. West
Days 1-3 | Days 4-6 | Days 7-10 The final days of the 2009 Umbria Jazz Festival were an extravaganza of sorts for lovers of the piano. Topping the must-see list was avant-garde innovator Cecil Taylor, giving a solo concert on Friday at Teatro Morlacchi; but Ahmad Jamal and McCoy Tyner also appeared, and for ...
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