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James Falzone

“Falzone is a remarkable, in-the-moment improviser -- able, as few virtuosi can, to listen as intently as he sings.”
--Larry Kart, Author of Jazz in Search of Itself (Yale University Press)

Composer and clarinetist James Falzone is working at the intersection of many styles of music including jazz, improvised, classical, and folk traditions. He has been featured on numerous public radio and television shows and has performed in concert halls and jazz clubs throughout the United States and abroad with his own Allos Musica Projects. He has also collaborated with such diverse and visionary artists as Steve Lacy, Richard Stoltzman, Jorrit Dijkstra, Theodore Bikel, Joe Maneri, Fred Lonberg-Holm, Ran Blake, and many others.

ARTICLE: MULTIPLE REVIEWS

Dan Phillips Returns To Chicago

Read "Dan Phillips Returns To Chicago" reviewed by Mark Corroto

Somewhat of a mystery man, guitarist Dan Phillips recorded two CDs in Chicago in 2015 and 2016. One a trio session, and the other a septet with a cast of heavyweights from the Windy City. Phillips, a Berklee and Northwestern graduate, has been living and teaching in Bangkok, Thailand since the turn of the new millennium. ...

ARTICLE: LIVE REVIEW

Hyde Park Jazz Festival 2016

Read "Hyde Park Jazz Festival 2016" reviewed by Mark Corroto

Hyde Park Jazz Festival Chicago, IL September 24-25, 2016Regard the Hyde Park Jazz Festival as you would your favorite restaurant, where it just so happens that you are best friends with the chef. You have an embarrassment of riches because everything on the menu, which is fresh and delicious, organic, ...

ARTICLE: ALBUM REVIEW

Keefe Jackson, Jason Adasiewicz: Rows and Rows

Read "Rows and Rows" reviewed by Giuseppe Segala

Nella ricca cartografia musicale che alimenta la scena odierna di Chicago, quella successiva alla topica esperienza della AACM e ben descritta da James Falzone nelle note a questo CD, Keefe Jackson e Jason Adasiewicz rappresentano due personalità di rilievo, riscontrabili in molte realizzazioni e collaborazioni. Il sassofonista e clarinettista si è trasferito nella città ...

ARTICLE: ALBUM REVIEW

Marc Riordan/Tim Daisy: Joyride

Read "Joyride" reviewed by Mark Corroto

Critics often speak of the chemistry between two musicians. Why? Because, it is so very easy to toss out this abstract, non-quantifiable concept. Those who agree, nod. Those who differ, well they have nothing on which to challenge your statement. But here I go, Tim Daisy and Marc Riordan showcase a stellar musical affinity on their ...

ARTICLE: ALBUM REVIEW

Eric Platz: Life After Life

Read "Life After Life" reviewed by Troy Collins

Since the late 1990s, percussionist Eric Platz has maintained a busy performance schedule working in a variety of musical genres. He has served as a sideman to such luminaries as Bill Frisell, Joe Lovano and Lucinda Williams, co-led the improvised music trios Fat Little Bastard and FourMinusOne, and is a member in both the world music ...

The Room Is

Label: Allos Documents
Released: 2015
Track listing:

ARTICLE: ALBUM REVIEW

Tim Daisy: October Music – 7 Compositions For Duet (Vol 1)

Read "October Music – 7 Compositions For Duet (Vol 1)" reviewed by Giuseppe Segala

Nel suo libro Ein Fenster aus Jazz (Una finestra sul jazz), il compianto Joachim Ernst Berendt dedica un intero capitolo all'Arte del duo, sottolineando come in tale contesto ancora più che in altre occasioni la relazione umana intensa sia indispensabile. Il duo nel jazz mette in scena un dialogo più serrato, più complesso, più rischioso e ...

ARTICLE: ALBUM REVIEW

Steel Bridge Trio: Different Clocks

Read "Different Clocks" reviewed by Mark Corroto

Heard at the imaginary music awards ceremony, “and the winner of the quietest and most accessible avant-garde recording of 2015 (dramatic pause), Different Clocks by Steel Bridge Trio." “Accepting the award for the trio is Jimmy Giuffre and Eric Dolphy. If there were such awards, and certainly there should be, Chicagoan Tim Daisy would ...

ARTICLE: ALBUM REVIEW

James Falzone: The Room Is

Read "The Room Is" reviewed by Mark Corroto

Legend has it that Jimmy Giuffre harbored a vehement distaste for the use of percussion in his ensembles. He found drummers distracting, irritating and clamorous. By the time he recorded the classic records 1961 (ECM, 1992) and Free Fall (Columbia, 1963) he had jettisoned drummers from his piano and bass trio. It must have driven marketing ...


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