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Losen Records: New Norwegian Sounds

by Jakob Baekgaard
Mention the phrase the Norwegian sound" and many listeners will get an image in their head. An image of a natural, deep echoing sound influenced by the mountains and hills of the Norwegian landscape. Such an image is, of course, a cliché, but to some critics it has stuck and distorted the rich fertility of the ...
Valby Summer Jazz: Copenhagen, Denmark, July 6-13, 2013

by Jakob Baekgaard
Valby Summer JazzPrøvehallen in Valby and The Betty Nansen TheatreCopenhagen, DenmarkJuly 6-13, 2013 In a time of financial crisis, the solution to many festivals seems to be to cut down on the experimental budget and ambitions and focus on familiar names that are sure to attract a sizeable audience. While Valby ...
Tomasz Stanko New York Quartet: Copenhagen, Denmark, July 6, 2013

by Jakob Baekgaard
Tomasz Stańko New York QuartetCopenhagen JazzhouseCopenhagen, DenmarkJuly 6, 2013 In the 1960s, Polish trumpeter Tomasz Stańko emerged as a major talent on the European jazz scene. His unique musical voice was recognized by his legendary countryman, pianist Krzysztof Komeda, who enlisted him to be part of his groundbreaking masterpiece Astigmatic ...
Dot Time Records: Placing the Artist in the Center

by Jakob Baekgaard
One of the problems with the record industry is the potential distance between label owners and artists. This is especially the case with major labels, where there are many people involved in music production who care more about sales than the vision of the artist. Then there's a label like Dot Time Records ...
Girls in Airports: Kaikoura

by Jakob Baekgaard
Since releasing its self-titled debut in 2010, the Danish group Girls in Airports has managed to create their own expression, a unique blend of Nordic jazz lyricism, indie-rock influences and sounds from around the world, including the pentatonic scales of Ethiopian music, dub sounds of Jamaica and Brazilian rhythms. This is truly a globalized band if ...
Moss Project: What Do You See When You Close Your Eyes?

by Jakob Baekgaard
The idea of creating a gesamtkunstwerk, a synthesis of the arts, is not something new. Classical composer Richard Wagner envisioned his operas as a meeting between music, literature and the visual expression of painting; since Wagner, many artists have tried to unite the different artistic languages into a total work of art. While ...
Babel Label: More Songs from the Tower of Sound

by Jakob Baekgaard
In a time of financial crisis in the world in general and in the music business in particular, the natural thing to do would be to cut down the number of releases and concentrate on safe and palatable productions that cater to a major audience with a predefined taste. However, Oliver Weindling's Babel Label has always ...
Rivorecords: Blue Notes from Buenos Aires

by Jakob Baekgaard
In the New Grove Dictionary of Jazz, a blue note is defined as: A microtonally lowered third, seventh, or (less commonly) fifth degree of the diatonic scale, common in blues, jazz and related musics." Moving beyond musical theory, the term is most commonly associated with the groundbreaking jazz label Blue Note, founded in 1939 ...
Kolonihaven Unikum: Saltö

by Jakob Baekgaard
It is undeniably a paradox that the age of musical digitalization has produced some of the most beautiful physical objects in the history of recorded music, but, perhaps, the mystery isn't as great as it seems.The endless possibilities of streaming and downloading have brought along a backlash, an increased feeling of impersonality, which had ...
Hristo Vitchev Quartet: Familiar Fields

by Jakob Baekgaard
In an age where there is a constant demand for instant gratification, it takes courage to let musical material develop at a slow pace in order to realize an artistic vision. Nevertheless, this is what Bulgarian-born guitarist Hristo Vitchev has done on his album, Familiar Fields, whose compositions were written in the space between Vitchev's second ...