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Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by Ian Patterson
It would have been inconceivable for Miles Davis in his post-sabbatical, 1980s reincarnation to have been billed as “an extra added attraction" on any festival or concert hall billing, but that's how it was when the trumpeter--already a legend--played his first ever gigs at the Filmore East, supporting Neil Young & Crazy Horse and the Steve ...
Miles Davis: Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by Doug Collette
Intensely intoxicating as much as it is wholly hypnotic, Miles Davis Live at the Fillmore becomes increasingly so through the course of its four compact discs. More than doubling the playing time of the original four-sided vinyl release, The Bootleg Series Vol. 3 posits an argument the band(s) of this era were among the finest ever ...
Juhani Aaltonen: To Future Memories – The Music of Antti Hytti
by Dave Wayne
Can anyone just decide, on a whim, to take up an instrument and simply become a working musician anymore? That's precisely what Juhani Aaltonen did as an eighteen year-old living in the town of Inkeroinen, in central Finland back in the early 1950s. Apart from a year of study at the Sibelius Academy in Helsinki, and ...
Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by Maurizio Comandini
Finalmente la Sony Legacy pubblica ufficialmente e integralmente i quattro concerti del gruppo di Miles Davis al Fillmore East, mitico teatro posto più o meno all'incrocio fra la Sesta Strada Est e la Seconda Avenue a New York, nell'East Village. Era la metà del mese di giugno del 1970, il capolavoro Bitches Brew era stato pubblicato ...
Sonny Rollins: Montreal, 1982
Back in 1982, Sonny Rollins appeared at the Montreal Jazz Festival and brought the house down. The quality of Sonny's ideas and blowing here is truly remarkable. And he looked great—dig how his body moves with the ideas coming out of his horn. Jimi Mentis in Athens sent along a link to Sonny's performance. Backing Sonny ...
Humber Studio Jazz Ensemble: Another Parallel Reality
by Karl Ackermann
The pundits who regularly question the vital signs of jazz would be well served to turn their ears toward the Humber Studio Jazz Ensemble. Almost two-dozen albums into a constantly evolving presence, Denny Christianson, the Director of Toronto's Humber Music Program, has been mentoring young musicians through their persistent reinventing of sound and process. The combined ...
Billy Hart: Welcoming New, Loving Old, Sounds
by R.J. DeLuke
The ubiquitous drummer Billy Hart brings a special energy to the many projects of which he is a part. A band leader, composer and educator, he's been on hundreds of albums. He has taken the stage with countless bands, adding his rhythmic pulse to formations led by a litany of the biggest names in the business. ...
Introducing Nir Felder
by Angelo Leonardi
La recente uscita di Golden Age, debutto da leader di Nir Felder (Okeh 2014), conferma i positivi riconoscimenti che il chitarrista ottiene sulla scena musicale di New York. A partire da maestri come Greg Osby, Terri Lyne Carrington o Jack DeJohnette, molti jazzmen l'hanno coinvolto nei loro organici, facendolo conoscere oltre la cerchia del suo pubblico ...
Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by John Kelman
By the time Bitches Brew (Columbia) was released in April, 1970—and despite receiving a 5-star review in Downbeat Magazine—trumpeter Miles Davis was already under fire from mainstream jazz critics as having “sold out," despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his ...
Miroslav Vitous Group
by John Kelman
With the ongoing demand for historic titles to see first-time CD issue, ECM has raised the ante even further with Re:solutions: seven classic recordings, released on CD (four available for the first time and one previously only available for a limited time in Japan), vinyl and high resolution digital formats. They're all important, but 1981's Miroslav ...
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