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Fievel Is Glauque: Zach Phillips Believes Harmony Does Not End With Writing
by Dean Nardi
Fievel Is Glauque is an integration between multi-instrumentalist Zach Phillips and vocalist Ma Clément along with a mutable cast of eminent musicians. Their latest album is the homophone-titled Rong Weicknes (Fat Possum, 2024), which may or may not also be an oxymoron. Linguistics aside, this fantabulous collection of songs may well be the most ...
Jack Chambers: Rethinking Duke Ellington
by Jack Kenny
Jack Chambers is professor at the University of Toronto and teacher of music and language. His jazz writings include the prize winning biography Milestones: The Music and Times of Miles Davis (Da Capo Press, 1998) and Bouncin' with Bartok: The Incomplete Works of Richard Twardzik (Mercury PR, 2008). Sweet Thunder: Duke Ellington's Music In Nine Themes ...
Sharel Cassity: In the Spirit
by Katchie Cartwright
Even on an old familiar tune like Charlie Chaplin's “Smile" (1936), it is clear from note one that Sharel Cassity is a child of Bird, an altoist in the modernist tradition of Charlie Parker. Her first influence was actually her biological father, an organist, with whom she shared the stage in New Orleans at age 11, ...
Nick Brignola: Between A Rock And The Jazz Place, Part 2
by Rob Rosenblum
Part 1 | Part 2 This interview was originally published in 1969 in an Albany, New York area arts publication called Transition. It documents a time when saxophonist Nick Brignola was in the process of trying to break out of the confines of bebop and incorporate some of the elements of fusion that was ...
Beyond Genre: Brian Marsella’s Expanding Musical Universe
by Nenad Georgievski
Brian Marsella is a pianist and composer whose work defies easy categorization. Whether leading his genre-blurring trio with bassist Trevor Dunn and drummer Kenny Wollesen , or collaborating with avant-garde luminary John Zorn, Marsella brings a rare blend of technical brilliance and emotional depth to every performance. Born in Philadelphia and based in New York since ...
Meet Andy Bey
by Chris M. Slawecki
From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...
Sam Sadigursky: Making Things
by Katchie Cartwright
Los Angeles-bred New York-based clarinetist and multi-reedist Sam Sadigursky enjoys a varied and distinguished career, performing and recording with a number of renowned ensembles, including those of composers Darcy James Argue and Philip Glass, pianists Brad Mehldau and Fred Hersch, pop stars David Byrne and Tom Jones, among others, in addition to his own projects.
Jan Lundgren On Storytelling In Jazz Improvisation
by Sven Bjerstedt
It was nice to finally, after all these years, have the opportunity to sit down with the celebrated jazz pianist Jan Lundgren and talk about what it actually is that we do as jazz musicians when we improvise. Jan and I have known each other for almost four decades now. Jan was born in 1966; I'm ...
Marilyn Crispell: Fearless, Deeply Sensitive and Shaping the Moment
by Dean Nardi
As Marilyn Crispell talked about her multitude of recent recordings, either solo or with this trio or that quartet, she mentioned needing to pack her bags before going out on tour. She has lived in Woodstock, New York since 1977 and is comfortable there. “When I'm at home, not out recording, I look out in the ...
Nicole Zuraitis: The Up and Down and Up Journey to Newport
by Mark Robbins
Nicole Zuraitis should receive a Grammy Award just for her laugh! It's deep, loud, energetic and a treat to hear. Not taking herself too seriously, her conversation is peppered with laughter while she talks about the high and lows of her travels from a struggling young jazz vocalist/composer to her surprising (to her) Grammy win. Her ...
