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Marvin Stamm on Bernie Glow

Marvin Stamm on Bernie Glow

In the recording studios of the 1950s, '60s and '70s, trumpet players had specialties. Like baseball batters and Old West gunslingers, top trumpeters in the horn sections of big bands and pop orchestras became distinguished for a particular style. Each of the four trumpet seats were occupied by players known for acing notes and nuances in ...

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Article: Interview

Tamar Osborn: From Kalakuta To Collocutor: New Directions In Jazz

Read "Tamar Osborn: From Kalakuta To Collocutor: New Directions In Jazz" reviewed by Chris May


She has been likened to Gil Evans, Fela Kuti, Pharoah Sanders, Bismillah Khan and Mulatu Astatke, and the traditions represented by those musicians are all to be heard in the music of baritone saxophonist and composer Tamar Osborn. Osborn's aesthetic, however, is her own, and her band, Collocutor, is among the most distinctive on the British ...

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Article: Interview

Orchestra Aperta: Fare musica con le mani

Read "Orchestra Aperta: Fare musica con le mani" reviewed by Paolo Marra


"L'Orchestra Aperta, la conduzione chironomica" è un progetto proposto dalla Fondazione Musica per Roma che ha permesso la formazione nella musica di ricerca e di libera improvvisazione di nove giovani musicisti selezionati con un'audizione nazionale durata 15 giorni. Alla selezione è seguita una residenza durata due settimane diretta dal Maestro Paolo Damiani insieme ai docenti Daniele ...

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Article: Interview

Meet Kenny Barron

Read "Meet Kenny Barron" reviewed by Craig Jolley


From the 1995-2003 archive: This article first appeared at All About Jazz in March 2001. Jazz Education I recently retired from Rutgers University. Right now I teach piano one day a week at Manhattan School of Music. In September I'll be teaching at the new jazz program at Julliard. I've taught David Sanchez and ...

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Article: Building a Jazz Library

Chet Baker: An Alternative Top Ten Albums To Get Lost In

Read "Chet Baker: An Alternative Top Ten Albums To Get Lost In" reviewed by Chris May


Chet Baker was born to a farmer's daughter and a hard-drinking, weed-smoking singer and guitarist in a Western Swing band in Yale, Oklahoma in 1929. Like many Okies, the family fared badly during the Great Depression but did a little better after moving to Glendale, California in 1939. Largely self-taught as a trumpeter, Baker honed his ...

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Article: Interview

Essential Michael Brecker

Read "Essential Michael Brecker" reviewed by Jason West


This article was originally published at All About Jazz in November 1999. Michael Brecker's contributions to music are generous and, like the pregnant ideas that flow from his tenor horn, they continue to grow. At 50, the saxophonist has found acceptance in a wide variety of musical settings, having performed with pop stars like ...

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Article: Interview

Josephine Davies: Way Out East: New Directions In Jazz

Read "Josephine Davies: Way Out East:  New Directions In Jazz" reviewed by Chris May


Compared to many other bands which have emerged on London's revitalized jazz scene since the mid 2010s, saxophonist and composer Josephine Davies' trio Satori has attracted relatively little noise. This may be because, unlike most of its contemporaries, Satori is not infused with dancefloor-friendly grooves. Davies instead looks to Eastern culture, particularly to Buddhist texts and ...

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Article: Interview

Federica Michisanti: L'Essenza di una Musica a Colori

Read "Federica Michisanti: L'Essenza di una Musica a Colori" reviewed by Paolo Marra


La contrabbassista e compositrice Federica Michisanti ha da poco pubblicato Jeux de Couleurs (Parco della Musica Records) con il suo Horn Trio--Francesco Bigoni al sassofono tenore e clarinetto e Francesco Lento alla tromba e flicorno-- a due anni da Silent Rides. In questo lavoro la contrabbassista romana conferma la sua vena compositiva raffinata ...

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Article: Interview

John McLaughlin: Where The Muse Leads

Read "John McLaughlin: Where The Muse Leads" reviewed by Mike Jacobs


John McLaughlin--Miles Davis protégé. Jazz/rock revolutionary. East-meets-West visionary. Acoustic, electric and electronic guitar maestro. Now elder statesman of jazz--what is there left to say? A lot it seems... As a septuagenarian who was facing debilitating hand issues--and possibly the end of his playing career--he was starting to say his farewells to touring ...

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Article: Interview

Emma Swift's Multitudes

Read "Emma Swift's Multitudes" reviewed by Eric Gudas


As its title suggests, Blonde on the Tracks, Australian-born, Nashville-based singer-songwriter Emma Swift's first full-length album, re-interprets songs from the heart of Bob Dylan 1960s and '70s catalog, although its span covers his most recent work. Swift belongs to the generations of listeners who grew up on the songs of Gram Parsons}], Dylan, {{m: Joni Mitchell, ...


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