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Jacques Schwarz-Bart's Afro-Caribbean Odyssey
by John Chacona
The saxophonist Jacques Schwarz-Bart was born on the Caribbean island of Guadeloupe in the shadow of La Grande Soufrière, which is both an active volcano and the highest mountain in the Lesser Antilles. Both aspects of that peak get to the heart of Schwarz-Bart's career, which has been characterized by rapid ascents and explosive creativity.
Kenny Washington: From the Ninth Ward to the World Stage
by Mark Robbins
As a result of past visits to Norfolk, Kenny Washington has amassed a large following of fans here, so it was no surprise that tickets sold out when the Virginia Arts Festival announced that he would be the first guest of the post-Covid season. As one of the best male jazz vocalist singing today, Kenny had ...
From Aimless to Activist, Bassist Kevin Ray Lands on Higher Ground
by Karl Ackermann
Bassist Kevin Ray has recorded or played with John Stubblefield, Oliver Lake, Greg Osby, Andrew Hill, Marty Ehrlich, Elliott Sharp, John Hicks, Hamiet Bluiett and Nels Cline. Ray has performed in the premieres of works by Joe McPhee, Leroy Jenkins and others. The bassist co-leads the adventurous trio 10³²K's with trombonist/trumpeter Frank Lacy, percussionist Andrew Drury ...
Rickie Lee Jones: Peg Leg’s Granddaughter Rises Above
by R.J. DeLuke
Last Chance Texaco: Chronicles of an American Troubadour, the memoir of the eminent Rickie Lee Jones, is not a collection of stories about the famous singer who sprouted from the hippie era under the radar before blazing like a shooting star across the American sky with her self-titled debut album that contained the megahit “Chuck E's ...
Interview: Judy Wexler
It's tricky business jazzing up the music of 1960s singer-songwriters. Most efforts either wind up a pale reproduction or they try too hard to swing the originals. Every so often, however, an album comes along that hits the tone just right. Vocalist Judy Wexler's new Back to the Garden (Jewel City) is one of these just-right ...
Adam Kahan: Capturing the Essence of Jazz in a Film
by Victor L. Schermer
Too many are the documentaries produced and directed in a formulaic way using archival clips, photos, and hastily staged interviews that are intended to make a series of facts evident and bring out a few key points. At their best, they give a reasonably realistic illustrated depiction of people, places, and things. That is why a ...
Simin Tander: No Looking Back
by Ian Patterson
When an album receives widespread critical acclaim, generating extensive touring in its wake, the temptation must be to repeat the formula next time around. Especially for artists operating in the niche world of jazz/improvised music, where a sure gig can be something of a holy grail, it would make little sense to fix what ain't broken. ...
Interview: Jennifer Wharton
A couple of weeks ago while flying through Facebook, I saw on photographer John Abbott's page that he'd just finished a shoot with bass trombonist Jennifer Wharton. I've known John for years and in addition to being a great guy, he's a marvelous portraitist. When I asked him about Jennifer, he wrote back, “Jen Wharton is ...
Gli Unscientific Italians e l'arte della meta-sintesi Friselliana
by Ludovico Granvassu
Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...
Dan McCarthy: A Place Where We Once Lived
by Dan Bilawsky
By February of 2019, Dan McCarthy had reached the end of his time in New York. “The movers had come and packed everything up, and my wife and son were already in Toronto at my parents' house. I was at our apartment in Crown Heights and I only had a few things, including my vibes," he ...
