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176

News: Interview

Something Else! Interview: Steve Lukather, of Toto

Something Else! Interview: Steve Lukather, of Toto

Steve Lukather was gearing up for a summer tour in Europe when he got the news: Rare recognition had arrived for him, not just as a co-founder of the often-overlooked band Toto but—and this is rarer still—as a sideman. Lukather was recently honored by Gibson.com, the legendary guitar-maker's official Web site, as one of the Top ...

39

News: Interview

UYS: Myra Melford interview

UYS: Myra Melford interview

33

News: Interview

A Clifford Jordan Revival

A Clifford Jordan Revival

Rifftides reader Debra Kinzler's notice that a quartet of Clifford Jordan's admirers will revive his Glass Bead Games prompts me to post a slightly revised version of a 2007 piece about a landmark recording that became unavailable for too long. Ms. Kinzler informs us that tenor saxophonist Seamus Blake, pianist Eric Reed, drummer Billy Drummond and ...

174

News: Interview

Requiem for Zim Ngqawana (1959-2011)

Requiem for Zim Ngqawana (1959-2011)

By Thomas Rome From profoundest loss I struggle to speak of the passing of one of the jazz world's most significant personalities of his generation. South African saxophonist Zim Ngqawana, 51, left us far too early last night at Charlotte Maxeke Johannesburg Academic Hospital, victim of a stroke. Nowhere do the strikingly parallel cultural identities of ...

43

News: Interview

Face of the Bass: The Atlas of Jazz

The great Milt Hinton often said that the bass is the “Atlas of jazz" because its role in the jazz band is to “carry the other instruments on its shoulders." “Bass" is often misspelled as “base" but the meaning is very similar in music, that of “foundation." In early jazz bands, bassists played the bass fiddle, ...

225

Article: Interview

Omar Sosa: Bringing The World To The World

Read "Omar Sosa: Bringing The World To The World" reviewed by AAJ Staff


Pianist/composer Omar Sosa was born in Cuba in the first decade of Fidel Castro's rule over the island, and grew up listening to forbidden American jazz with his music school friends in secret, the radio discretely turned low, though eventually the rules changed and the music was broadcast in Cuba, too. After Cuba and a short ...

130

News: Interview

Chris Byars: Lucky Strikes Again

Chris Byars: Lucky Strikes Again

When the names of great tenor saxophonists are tossed around, the chain of succession generally runs like this: Coleman Hawkins, Lester Young, Dexter Gordon, Sonny Rollins and John Coltrane. All, of course, were reed titans, and Sonny still is. A half-step below this esteemed group is a second tier of greats that include Don Byas, Wardell ...

141

News: Interview

A Love Letter to New Orleans - An Interview with Irvin Mayfield

A Love Letter to New Orleans - An Interview with Irvin Mayfield

I spoke by phone today with New Orleans trumpeter and educator Irvin Mayfield about his beautiful new book, “A Love Letter To New Orleans." Mr. Mayfield talks about the beauty of being influenced by the film Mo Better Blues, musical and cultural similarities between NOLA and places like Haiti, Cuba, Brazil, and the beauty of New ...

Article: Interview

Intervista a Luca Aquino

Read "Intervista a Luca Aquino" reviewed by AAJ Italy Staff


Suona perfettamente a proprio agio in una antica chiesa di Benevento come in uno storico bagno turco di Skopje in Macedonia o nei sofisticati studi di registrazione di Oslo, Norvegia. La tromba ed il flicorno che utilizza devono essere rigorosamente costruiti dall'artigiano olandese Hub Van Laar per il loro suono semplice e puro, ma ama “giocare" ...

362

Article: Interview

Leslie Pintchik: Two Different Kinds of Art

Read "Leslie Pintchik: Two Different Kinds of Art" reviewed by Bruce Lindsay


The title of Leslie Pintchik's third album, We're Here To Listen (Pintch Hard Records, 2010), says much about the pianist and composer's musical philosophy. She recognizes the importance of technical skill, but she also values instinct, the open mind and the dismissal of boundaries between musical genres. It's an approach that Pintchik emphasizes throughout this interview, ...


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