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David Binney: Underground Tremors
by Ian Patterson
There are recordings that constitute a personal high watermark for a composer; then there are, less frequently, recordings that mark an era. Graylen Epicenter (2011), alto saxophonist David Binney's latest recording on his own label, Mythology Records, is both. For more than two decades, this exhilarating alto saxophonist has made a string of absorbing recordings as ...
Intervista a Daniele D'Agaro
by AAJ Italy Staff
Fra i jazzisti italiani oggi più in vista, Daniele D'Agaro è forse quello che ha avuto la carriera più anomala. Nato nel 1958 a Spilinbergo (Pordenone), i suoi primi approcci con la musica sono stati del tutto occasionali. La sua formazione musicale si è compiuta all'estero, in modo lento e discontinuo, ma a diretto contatto con ...
Q&A: Mike Metheny
We last heard from Mike Metheny on his excellent and insightful blog Doc Severinsen-A Legend, And A Friend. Since then he's been working on another musical project close to his heart, a compilation of his own favorite recorded tracks over the past 20 years. So we meet up again in the Q&A to talk about his ...
Latin Jazz Conversations: Bobby Sanabria (Part 3)
A full time dedication to music is an honorable way for a person to spend their life, and their legacy should be honored at every turn. When an individual focuses their complete energy upon artistic growth and the extension of a musical tradition, they take the road less traveled, insuring a life outside the mainstream. Unfortunately, ...
Latin Jazz Conversations: Bobby Sanabria (Part 2)
The most magical musical performances can be exploding within a certain area, and sometimes the world stays blind to these creative miracles. Before the Internet catapulted us into the Internet age, one could attribute some of this disconnected musical knowledge to distance. It's a musician's job to know about great artists though, and one has to ...
Latin Jazz Conversations: Bobby Sanabria (Part 1)
Most successful people can remember a life altering moment that set their destiny clearly in their view, and for many musicians, this event revolves around a great performance. Coming into contact with live music always leaves a mark on someone with an interest in the art form, but watching a master at work burns a picture ...
Something Else! Interview: Adrian Belew, of King Crimson
Adrian Belew, at work these days a classical reformulation of his well-received 2009 trio project e, admits that he's unsure when King Crimson will reform. “No word right now," he says of the group, led since its late 1960s inception by Robert Fripp. “We're just waiting on a word of encouragement from dear Robert." It's not ...
Q&A: Donny McCaslin
One of my favorite tenor sax players is Donny McCaslin. I recall my childhood friend bassist Larry Grenadier telling me about him in the mid 80's. It was around that time that Donny and Larry were both members of the Gary Burton Quintet. Shortly thereafter, Donny joined Steps Ahead taking over the sax chair from the ...
Kyle Eastwood: Movies, Motown & Monterey
by Bruce Lindsay
Bassist/composer Kyle Eastwood can whistle. It's a talent to which few musicians lay claim, but it's one which he puts to good use on his version of Bob Haggart's “Big Noise (From Winnetka)," a tune that serves as a popular encore to his live set. The fact that Eastwood whistles in concert says much about the ...
