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Branford Marsalis on KUOW
Branford Marsalis is a three—time Grammy winning saxophonist and composer. He works with new and established jazz musicians as the head of Marsalis Music, and teaches students new ways to think about jazz music. Today, Branford Marsalis joins us to talk about the legacy and future of jazz music, the importance keeping the culture of music ...
Saxophone Prodigy Grace Kelly's Astounding Musical Journey
When putting these interview articles together, sometimes I get an artist whose accomplishments are so impressive and numerous that it makes putting everything into a few paragraphs, well, kind of a pain in the tush. That said, thanks a lot Grace Kelly. I'll go ahead and list just a few of the bullet points here: Has ...
Justin Kauflin: Blind VA Beach Pianist Jazzed to Be Competing in DC
Virginia Beach-reared Justin Kauflin strolled onto the stage for the Thelonious Monk International Jazz Piano Competition on Sunday with a grin on his face and his guide dog, Candy, at his side. After settling in at the keyboards, and settling his black Labrador onto the floor beside him, he proceeded to play for a chance at ...
Nick Hempton: The Way It Is
by David A. Orthmann
The Business (Positone, 2011) is a milestone in the career of Nick Hempton. Since arriving in the USA from his native Australia in 2004, the 35-year-old saxophonist, composer, and bandleader has slowly but surely worked his way up the ladder of the notoriously competitive New York City jazz scene. Hempton's second date as a leader is ...
Leading Questions: Bill Anschell
When I was 14 I was a miscast classical clarinetist with no real interest in classical music or clarinet. Or jazz, for that matter. My guilty pleasure was playing pop tunes by ear on my family's upright piano. The piano is a climate-sensitive instrument that, sadly, can't tune itself no matter how nice it looks. Practice ...
Peter Auret: Turning the Tide
by Seton Hawkins
Johannesburg-based Peter Auret is something of a renaissance man in jazz. A drummer, bandleader, recording engineer, founder of a record label, and entrepreneur, Auret has spearheaded an initiative to organize some of the city's most striking jazz talents into a musical collective centered around his label, Afrisonic Records.Starting his career as a drummer in ...
Interview: Al Porcino (Part 3)
Tell most big band trumpeters from the '50s that you dig jazz, and they'll likely correct you by saying that they didn't play jazz. A majority of musicians who played in the trumpet sections of prominent bands viewed themselves as highly skilled readers who added a particular flavor to the whole ensemble, not improvisers. Except, that ...
Something Else! Interview: Jazz Guitarist Bill Frisell
We might be tempted to take for granted quietly impactful triumphs like guitarist Bill Frisell's forthcoming All We Are Saying, an Americana-infused tribute to John Lennon. After all, the prolific Frisell has made a career of deftly combining the distortion and verve of modern rock, the raw emotion of backwoods roots music and the sophisticated harmonics ...
Interview: Al Porcino (Part 2)
If you own a big band album from the post-war years, chances are Al Porcino is playing first trumpet on the recording. Al often was featured in that chair for his swinging leadership skills, the clarity of his playing, his sight-reading abilities and his knack for hitting screaming high notes. A trumpet section's job is to ...
Interview: Al Porcino (Part 1)
Al Porcino is easily one of jazz's greatest living trumpet players. In addition to playing on 342 recording sessions since 1942, he is the last known surviving member of Charlie Parker's first strings date—Neal Hefti's recording of Repetition in December 1947. Al also has the distinction of having played first trumpet in nearly every major big ...
