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Interview: Anthony Ortega (Part 2)
Before I launch into the remaining two parts of my Q&A conversation with saxophonist Anthony Ortega, I want to present you with The Street We Took (2007), a 15-minute documentary on Anthony and his wife Mona by filmmaker Andrew Rubin. Andrew generously made his short film available on YouTube after we spoke about its poetry and ...
Claire Daly: The Most Jazz Life I Could Ever Imagine
by Andrea Wolper
December 22, 1935. I am going up the Taku River by dogteam to Fairbanks." But you can't do that; there are mountains or something you can't get over. Anyway, it's no place for a woman." Thus man disposes of woman. That settled I went quietly about my business of getting ready.Thus begins the journal ...
Interview: Anthony Ortega (Part 1)
If you're a student of liner notes from the 1950s, the name Anthony Ortega should ring a bell. Anthony played saxophone on a range of well-known recordings during jazz's golden decade, including sessions led by Gigi Gryce, Art Farmer, Quincy Jones, Sonny Stitt, Dinah Washington, Billy Taylor, Nat Pierce, Maynard Ferguson and others. Anthony also led ...
Ian Rogers Unveils New Haircut ...And Interviews Rhapsody President John Irwin
Topspin CEO Ian Rogers is starting 2012 off with a new haircut. At the risk of sounding like there's some kind of man crush going on, Rogers has long been known for long hair (before photo to left) that made him look like a skateboarder (which he also is) rather than a CEO and father of ...
NEA Jazz Master Jack DeJohnette Week Begins at All About Jazz with Extensive Interview and More!
Approaching 70 later this year makes 2012 a special time for Jack DeJohnette. One of five artists to receive the 2012 National Endowment for the Arts (NEA) Jazz Masters Fellowship only makes it more so for the veteran drummer/pianist, who has appeared on hundreds of recordings over the past 45 years, including landmark sessions with artists ...
Jack DeJohnette: Time and Space
by John Kelman
It begins with the sound of a resonating bell, followed by a gently cascading piano solo that gradually assumes shape and form, hovering around two chords and creating an inviting ambiance that resolves with another ringing of the bell, segueing gently into the groove-heavy Salsa for Luisito." The track is Enter Here," and the album is ...
Dorothy Ashby: Jazz Harpist
With the introduction of the 33 1/3 LP in the late 1940s and very early 1950s, harpists began appearing with greater regularity on jazz albums. At first, harpists were tag-alongs on record datesthe whipped cream on the sundae known as with strings." But as jazz arrangers grew more and more ambitious later in the decade, and the ...
Interview: Sheila Jordan (Part 3)
Sheila Jordan isn't a trained singer. But she is a passionate singer whose roots date back to Charlie Parker and other bebop musicians of the late '40s and early '50s whom she knew and sang with as a teen. Sheila also is an example of an artist who had a very rough early life but used ...
Interview: Sheila Jordan (Part 2)
There aren't too many musicians today who have truly lived the jazz life in the '40s and '50s. To live the jazz life back then, you had to be completely committed to the music and at one with the artists. Creativity was currency, and the music you heard coming from musicians' instruments often said more about humanity ...
Interview: Sheila Jordan (Part 1)
On January 10, Sheila Jordan will be honored in New York by the National Endowment for the Arts as a 2012 NEA JazzMasterthe nation's most prestigious jazz award. Joining her on stage will be co-honorees drummer Jack DeJohnette, saxophonist Von Freeman, bassist Charlie Haden and trumpeter Jimmy Owens. It's going to be a big evening for ...


