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Arun Ghosh: A Very British-Asian Jazz Head-Space
by Ian Patterson
If clarinetist/composer Arun Ghosh continues as he's going there's a danger he'll soon dethrone saxophonist Gilad Atzmon as the UK's hardest-working jazz musician. In between gigs, festival appearances and European tours, Ghosh is busy writing music for theatre, film, dance and multi-media events. His relatively short recording career has been marked by a refusal to stand ...
Steve Wilson: Lifetime of Study
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I'm very happy to have the opportunity to interview a musician that I've worked with a lot over the years. When people say that a musician has worked with everybody in the business, Steve Wilson has literally worked with everyone in ...
Billy Kilson: Nasty Pitch
by Trish Richardson
Here's the wind up. And the pitch. Whoa, did you see that one folks? That pitch was just nasty. In baseball, occasionally a ball gets thrown by the pitcher that is so good, so perfectly placed, so unbelievable, the announcer calls it nasty. The opposing batter doesn't have much chance of hitting it, but ...
Rudresh Mahanthappa: Integrity
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I had only met Rudresh Mahanthappa once briefly; we played with different bands at a gig at the Library of Congress in Washington, D.C. I was subbing with Miguel Zenon [while] he was performing with Vijay Iyer's quartet. I always found ...
David Fiuczynski: Salt, Sweat, Love, Tears
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] David Fiuczynski is a very unique guitarist. Many of you know him from his successful band called Screaming Headless Torsos. He's played with Hasidic New Wave, trumpeter Cuong Vu, and pianist Hiromi. I first met David at a rehearsal with drummer ...
Lorraine Feather: I Love You Guys
by Carl L. Hager
The great pianist and composer, Thelonious Monk, is credited with the remark that “writing about jazz is like dancing about architecture." But don't dash off and try to authenticate the quote. One, it'll just take you down a rabbit hole, and two, whether or not he ever actually uttered those words doesn't really matter. Because far ...
Alex Skolnick: The 1st Artistshare Profile Interview
We are pleased to announce the launch of the ArtistShare Profile series featuring exclusive interviews with ArtistShare artists focusing on inspirations, current projects, and the creative process. The first interview in the ArtistShare Profile series features acclaimed guitarist Alex Skolnick. Check out Alex's interview here. This series is part of our 10-year anniversary celebration. On October ...
Ron Aprea: Passion Supreme
by Nicholas F. Mondello
Ron Aprea is a saxophonist's saxophonist. After all, none less than the late, great Frank Foster called him friend, confidant, section mate and leader. And Foster wasn't alone in this regard. Aprea has been a mainstay and graced the sax section in the bands of Lionel Hampton, Woody Herman and many others. A multi-faceted musician with ...
Christine Jensen: Impressionism
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I was first exposed to alto saxophonist Christine Jensen through working with her trumpet playing sister Ingrid Jensen. We played some of her music, which really struck me as direct, mature, grounded and highly creative. Later on I got to meet ...
Ralph Peterson: Music Teaches You Life
by George Colligan
[Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I was recently in Athens, as part of my tour with Jack DeJohnette. Shortly after arriving, I'm sitting in my hotel room, and I get an unexpected call. “Colligan!" “Uh...yes?" And then I hear one of my obscure compositions, “Reaction," being sung ...
