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Idris Muhammad: Coming to Grips with His Greatness
by R.J. DeLuke
This interview was originally published on May 2002. Style? No, I just play, man. I don't really have a style. Just being able to play music is a style, you know?" says the veteran drummer master Idris Muhammad in his laid-back and understated style. Others know better than to take that self-effacing ...
Lenny Pickett: Equal Opportunity Explorer
by R.J. DeLuke
Lenny Pickett is one of those tenor saxophonists who people have heard over and over and, if they're not paying attention, they don't realize it. If they are listening, they will probably pick up on his wailing altissimo phrases and his ballsy, funky sound. He's one of those players, like David Sanborn, who has ...
Steve Swell: Unlimited Musical Possibilities
by Victor L. Schermer
"Free Jazz" and Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is ...
John Riley: Inspiring Innovation
by Ben Scholz
Foremost an innovator, John Riley has always been a drummer's drummer" in the world of straight-ahead jazz. With nearly a hundred recordings, a dozen videos, and five books under his belt, Riley is a veritable font of knowledge in the bebop realm. In this article, we take a look back at some of his musical endeavors ...
Interview With Don Howatt Of The Apostle Fractal: Progressive Rock Lives On
Q: Pardon my ignorance, but what does the Apostle Fractal mean? A: The short answer is The APOSTLE Fractal is just the name of our band. The long answer is a bit more complicated. “APOSTLE” was a name I had in mind for a band for a long time. As a young boy I would draw ...
Canterbury e dintorni secondo Ferdinando Faraó
by Claudio Bonomi
Fasano, solare cittadina pugliese in provincia di Brindisi, è da 17 anni teatro di un festival jazz eterodosso e controcorrente che, oltre a valorizzare talenti locali e a tenere alta la bandiera del jazz italiano (nel corso degli anni la rassegna ha ospitato, tra gli altri, Franco Cerri, Antonello Salis, Roberto Ottaviano, Franco D'Andrea, Stefano Bollani, ...
Orrin Evans: Hot Irons In The Fire
by R.J. DeLuke
A pianist with great chops, great touch and an attack that fancies many influences from fierce swing to gospel, Orrin Evans is one of the outstanding creative musicians on the New York City scene. His work, no matter what the context--and he loves different contexts--is downright riveting at times. But for the 38-year-old who ...
Yaron Stavi: Profoundly Bassist
by Sammy Stein
Yaron Stavi is a bassist who has performed all over the world with many musicians, playing double and electric bass and crossing genres into rock, classical, jazz and World Music. He studied in Berlin and played with orchestras around Europe, North America and Asia, and was principal bassist with the Mahler Youth Orchestra under, among others, ...
Martin Wind: Appreciating Bill Evans
by R.J. DeLuke
Bassist Martin Wind had already gigged with American jazz musicians prior to moving to New York City in 1996 to advance his musical studies. Though classically trained, Wind is highly versatile, having played in orchestras, small jazz groups, crossing genres on the electric bass prior to departing his native Germany. Now, years later, he ...
Canterbury e dintorni secondo Ferdinando Faraò
by Claudio Bonomi
Fasano, solare cittadina pugliese in provincia di Brindisi, è da 17 anni teatro di un festival jazz eterodosso e controcorrente che, oltre a valorizzare talenti locali e a tenere alta la bandiera del jazz italiano (nel corso degli anni la rassegna ha ospitato, tra gli altri, Franco Cerri, Antonello Salis, Roberto Ottaviano, Franco D'Andrea, Stefano Bollani, ...


