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News: Interview

Interview: Keith Richards

Interview: Keith Richards

One of Keith Richards' favorite Rollings Stones songs is Street Fighting Man. I learned this two weeks ago after pitching him on an interview for my “Anatomy of a Song" column in The Wall Street Journal. He loved the examples I had sent over and agreed to do it (go here for a free read—or pick ...

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Article: Interview

Rabih Abou Khalil: Bridging Cultural Divides

Read "Rabih Abou Khalil: Bridging Cultural Divides" reviewed by Nenad Georgievski


Rabih Abou Khalil is one of the most respected virtuoso oud players and composers whose wide range of interests and insatiable curiosity for new music from around the globe has significantly enriched his own work. His music is his own universe where an ongoing dialogue between Khalil and the rest of the world has been occurring. ...

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News: Interview

Dave Brubeck: One Year

Dave Brubeck: One Year

Today, one year following Dave Brubeck’s death, a new website celebrates his life and music. And, we relay an announcement that one of the finest jazz repertory orchestras will broadcast a program of Brubeck compositions. As John Bolger’s DaveBrubeckJazz.com debuts, the Irish Brubeck maven has unveiled an impressive site. In the “About” section, he outlines his ...

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Article: Interview

Jon Cowherd: Mercy, Mercy Me

Read "Jon Cowherd: Mercy, Mercy Me" reviewed by Ian Patterson


There's more to pianist Jon Cowherd than meets the eye. Best known for his fifteen-year tenure in the Brian Blade Fellowship--with whom he has recorded four outstanding albums--Cowherd has also played and recorded with singers such as Rosanne Cash, Cassandra Wilson, Iggy Pop and Joni Mitchell. Though he's led his own small groups in New York ...

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Article: Interview

Paul Augustin: Putting Penang On The Jazz Map

Read "Paul Augustin: Putting Penang On The Jazz Map" reviewed by Ian Patterson


Most jazz festival directors would agree that survival is the name of the game in the first years. Unless a festival has the financial backing of a major sponsor it can be a knife edge existence attempting to rustle up private sponsorship and the kind of good will that is required in abundance to meet the ...

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Article: Interview

Dwayne Burno: Tradition

Read "Dwayne Burno: Tradition" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Dwayne Burno is one of the great bass players of his generation. Originally from Philadelphia, Burno has been on the New York and international jazz scene since 1990. He has played with so many of the great legends of jazz: Betty ...

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News: Interview

Interview: Alysa Haas

Q: What started your love for music, and how old were you at the time? A: I have always been surrounded by music. My grandmother, who unfortunately passed before I was born, was a Yiddish folk singer. My mother Bira Rabushka is a violinist; my father Georges Haas was a world famous oboist; and my stepfather ...

News: Interview

Nancy Wilson: Jazz Scene USA '62

Nancy Wilson: Jazz Scene USA '62

In 1962, Nancy Wilson was still being positioned by Capitol Records as a jazz-pop singer. In the years after she signed with the label in 1959, her first five albums were examples of this hybrid: Like in Love, with Willie Smith on alto sax, Something Wonderful (1960) with Ben Webster on tenor sax, The Swingin's Mutual ...

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Article: Interview

Nicholas Payton: Sketches of Brilliance

Read "Nicholas Payton: Sketches of Brilliance" reviewed by Nicholas F. Mondello


Trumpeter Nicholas Payton has distinguished himself over the decades as a continually evolving artist of significant vision, artistry and focus. He's a musician who knows, respects and displays his roots, knows where he's at now and where he's going creatively. Under his own BMF Records label, Payton recently released Sketches of Spain a new recording with ...

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Article: Interview

Brian Landrus: The Low End Theory

Read "Brian Landrus: The Low End Theory" reviewed by Daniel Lehner


Specialists don't usually have the luxury of controlling much of their destiny. For a low woodwind expert like Brian Landrus, it would be of little surprise to anyone to find that, though he'd have the freedom to experiment with sounds and timbres for his own records, he would be little more than a hired gun for ...


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