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Band Ambition: Sherrie Maricle and Diva
by Richard J Salvucci
In the iconic photo A Great Day in Harlem (1958), bandleader and pianist Count Basie has taken a seat on the curb. Eleven neighborhood kids and one ringer, Taft Jordan Jr, are seated single file to Basie's right. Marian McPartland and Mary Lou Williams stand behind the kids, chatting. They are bookended, appropriately, by Oscar Pettiford ...
Donna Lewis: Brand New Day
by Ben Scholz
Pop culture's love-hate relationship with its artists presents an interesting conundrum. Music created for mass-consumption must be easily digestible, yet the public is quick to retaliate against content that lacks substance. Gifted musicians are often pigeonholed into a certain style or sound that may not reflect their true range. This myopic point of view focuses on ...
Interview: Irma Curry (Part 2)
Irma Curry was a big band singer at a time when most big bands were shifting to the blues and the college dance circuit. Despite the trend, Irma developed a style all her own and stuck with it, with an emphasis on romantic ballads that she delivered with enormous feeling. In some respects, she had been ...
A Remembrance of Percy Heath
by R.J. DeLuke
This article was originally published at All About Jazz in May 2005. Percy Heath could play the hell out of that big contrabass. Played it for more than half a century. With Bird and Miles and Diz and 'Trane and Brownie and the venerable Modern Jazz Quartet and on and on. And ...
Mauro Ottolini: Sousaphonix and Beyond
by Angelo Leonardi
Il Sousaphonix di Mauro Ottolini non ha bisogno di presentazioni. È una delle formazioni italiane più appassionanti e creative dell'ultimo decennio, dalla musica saldamente ancorata alla tradizione del jazz (fino a comprendere gli albori) e aperta a mille stimoli, dal rock all'avanguardia. In questi giorni è stato pubblicato il loro terzo album, Musica per ...
Interview: Irma Curry (Part 1)
Irma Curry may not be a familiar name to you, but in the early 1950s she was a star vocalist in Lionel Hampton's band. In 1962, she recorded a superb album for Columbia called Love Is a Necessary Evil. The band arranged by Al Cohn and conducted by Don Elliot including Hal McKusick (as), Barry Galbraith and ...
Interview: Slovak Bass Icon Juraj Griglak
Q: When did you learn to play the bass? A: My father chose for me to play classical upright bass; he was a clarinetist in symphony orchestra. I went to conservatory for six years and then four years at university. After finishing my studies, I started playing in the Slovak Philharmonic Orchestra and have been playing ...
One Of Hawaii's Finest Jazz Artists: Jr Volcano Choy
Q: I'm sure you receive this question numerous times. Your name - where did you get it? A: Almost 30 years ago, I was on a road tour for Columbia Records. After one of our performances, a music critic who was present mentioned that the “trumpet soloist” blew like an “erupting volcano” and so the other ...
Bill Evans and Carol Stevens
Back in January 2014, I interviewed singer Carol Stevens (here and here), who recorded That Satin Doll for Atlantic in 1957. In 1959, she appeared in a TV pilot for a show called After Hours, featuring Coleman Hawkins and Roy Eldridge among other top New York jazz musicians. At one point during my interview, I asked ...
Orrin Keepnews: Classic Producer of Classics
by R.J. DeLuke
This interview was originally published in August 2007. As a city boy who took a liking to jazz music and extended it into a budding career as a journalist, Orrin Keepnews may have inadvertently veered into the record-producing arena that generated classic albums from a wide range of unforgettable artists. Maybe it was a ...


