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5

Article: Interview

Larry Coryell: Less Rock, More Jazz

Read "Larry Coryell: Less Rock, More Jazz" reviewed by Todd S. Jenkins

by Todd S. Jenkins

This interview was originally published at All About Jazz in June 2001. A true jazz pioneer, guitarist Larry Coryell was one of the earliest musicians to experiment with the fusion of jazz and rock styles. Originally from Galveston, Texas, Coryell moved to New York in 1965, at a time when the city's music scene ...

13

Article: Interview

J.J. Johnson: An Eminent Life in Music

Read "J.J. Johnson: An Eminent Life in Music" reviewed by Victor L. Schermer

by Victor L. Schermer

This interview with trombonist J.J. Johnson along with Joshua Berrett and Louis G. Bourgois III, authors of his biography, The Musical World of J.J. Johnson (Scarecrow Press) was first published at All About Jazz in November 1999. All About Jazz: Congratulations to Josh and Louis on your new book--and to J.J. for now having ...

18

Article: Interview

Eliane Elias: The Authenticity of the Groove

Read "Eliane Elias: The Authenticity of the Groove" reviewed by R.J. DeLuke

by R.J. DeLuke

"I was 22 years old and I told Toots Thielemans that I had some tunes I'd like him to listen to," says Eliane Elias, the Brazilian-born pianist, a child prodigy who rose to the upper echelons of music during her time in the United States. The discussion with the famed harmonica player came during a rehearsal ...

106

Article: Interview

Bill Laswell: No Boundaries

Read "Bill Laswell: No Boundaries" reviewed by Nenad Georgievski

by Nenad Georgievski

For some people music is a mere entertainment product, a pastime amusement. For others music is a powerful force and the act of its creation carries within itself a sense of discovery. Bill Laswell's music, production and remixes have always carried that sense of discovery and riskiness. Multifariously creative and independent, he has always been revered ...

756

Article: Interview

Michael Brecker: He Can Groove Any Way You Want

Read "Michael Brecker: He Can Groove Any Way You Want" reviewed by Mike Brannon

by Mike Brannon

This article was originally published at All About Jazz in August 1998. Once one half of the world renown Brecker Brothers and full time studio legend, tenor saxophonist Michael Brecker relinquished that throne to form a group and deliver his own material. Though the Coltrane influence is present in spirit, its simultaneously transcended, skewered even, by ...

10

Article: Interview

Gary Burton: A Lifetime of Collaborations

Read "Gary Burton: A Lifetime of Collaborations" reviewed by Chris M. Slawecki

by Chris M. Slawecki

This interview was first published at All About Jazz in April 1999. Vibraphonist, composer and teacher, Gary Burton was among the first modern jazz musicians to come out of the fertile American Midwestern musical ground from which Pat Metheny and others later grew. Born in Anderson, Indiana, Burton began his professional career while still ...

6

Article: Interview

Gary Burton: The Art of Listening

Read "Gary Burton: The Art of Listening" reviewed by Mike Brannon

by Mike Brannon

This article was originally published at All About Jazz in February 2001. If you had to choose one living musician who has pioneered the current state and techniques of his instrument, championed jazz education and performed with most of the current crop of established, contemporary jazz artists (Chick, Metheny, Jarrett, Herbie) plus has 'discovered' ...

2

Article: Interview

"Thousands of Bouquets": An Interview with Gary Burton on Jazz and Japan

Read ""Thousands of Bouquets": An Interview with Gary Burton on Jazz and Japan" reviewed by Wayne Zade

by Wayne Zade

This article was originally published at All About Jazz in May 2000 as part of a “Jazz and Japan" interview series. All About Jazz: What do you remember about your first trip to play in Japan? Gary Burton: I was 19 years old, playing with George Shearing. We spent five weeks in ...

17

Article: Interview

Chris Potter Underground Orchestra: Imaginary Cities

Read "Chris Potter Underground Orchestra: Imaginary Cities" reviewed by Eric J. Iannelli

by Eric J. Iannelli

Writing jazz music, says Chris Potter, is “a bit of a zen exercise." “A lot of what you're thinking about when you're writing is the stuff that's not there. You're thinking about the solos and the way the band is going to play it together--things that can't be notated." For Imaginary Cities, ...

6

Article: Interview

A Fireside Chat With Chris Potter

Read "A Fireside Chat With Chris Potter" reviewed by AAJ Staff

by AAJ Staff

This article was originally published in December 2001.I remember first seeing Chris Potter playing with Paul Motian and most recently with the highly regarded Dave Holland Quintet. His improvement in the two or so years time is nothing short of remarkable. I can only compare his development with Scott Colley, who happens (and not ...


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