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9

Article: Live Review

Bray Jazz Festival 2018

Read "Bray Jazz Festival 2018" reviewed by Ian Patterson

by Ian Patterson

Bray Jazz Festival Various Venues Bray, Ireland May 4-6, 2018 From the hilltop vantage point the Irish Sea lies veiled under a blanket of thick mist. Greystones, five miles to the right, birthplace of the great Christy Doran, peeks out, seemingly floating above the misty clouds like a Roger ...

8

Article: Multiple Reviews

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto

by Mark Corroto

Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

12

Article: Album Review

Alina Bzhezhinska: Inspiration

Read "Inspiration" reviewed by Chris May

by Chris May

Among the highpoints of London's 2017 jazz diary was the Barbican Centre's A Concert for Alice and John. The event commemorated the 50th and 10th anniversaries of the passing of John Coltrane and Alice Coltrane. It was headlined by Pharoah Sanders, the most distinguished surviving member of bands led by the Coltranes, who turned in an ...

4

Article: Album Review

Sara Serpa: Close Up

Read "Close Up" reviewed by Jerome Wilson

by Jerome Wilson

Portuguese vocalist Sara Serpa has been a significant presence on the New York jazz scene for several years now, creating music with literary and artistic allusions in the company of renowned musicians like Ran Blake, Nicole Mitchell and Tyshawn Sorey. For her latest project she leads a trio that also features saxophonist Ingrid Laubrock and cellist ...

16

Song of the Day

Object

Album: Close Up
By Sara Serpa
Label: Clean Feed Records
Released: 2018
Duration: 4:03

Article: Album Review

Tom Rainey: Float Upstream

Read "Float Upstream" reviewed by Stefano Merighi

by Stefano Merighi

Da queste parti, si sa, nutriamo profonda ammirazione per Tom Rainey, percussionista geniale sia nelle cornici convenzionali che nelle ampie libertà della post-avanguardia. Il suo quintetto Obbligato da qualche tempo si occupa di affrontare gli standards da un punto di vista si potrebbe dire cool-free ---se ci si passa l'azzardata etichettatura --innervandoli di ...

8

Article: Live Review

NYC Winter Jazzfest 2018 - The Friday Marathon

Read "NYC Winter Jazzfest 2018 - The Friday Marathon" reviewed by Dan Bilawsky

by Dan Bilawsky

NYC Winter Jazzfest The Friday Marathon New York, NY January 12, 2018 As the setting sun ushered in the first of two NYC Winter Jazzfest marathon nights on Friday, January 12, the only thing that seemed to be missing was winter itself. After coping with a deep freeze for weeks, ...

6

Article: Album Review

Henry Lowther: can't believe, won't believe

Read "can't believe, won't believe" reviewed by Bruce Lindsay

by Bruce Lindsay

If any jazz ensemble can be said to define the word “prolific" it's not Henry Lowther's Still Waters. The band's debut album, ID, appeared in 1997. can't believe, won't believe is its second release, just 21 years later. Good things, as they say, come to those that wait. Bandleader, composer and trumpeter Lowther has ...

7

Article: Year in Review

Troy Dostert's Best Releases of 2017

Read "Troy Dostert's Best Releases of 2017" reviewed by Troy Dostert

by Troy Dostert

Looking over the vast quantity of fine music released in 2017, it is reassuring to know that even in these troubled times, the spirit of creativity and endurance that jazz has always embodied continues to hold strong, especially as the music continually finds new forms of expression that move beyond stylistic boundaries. It was a particularly ...

5

Article: Album Review

Borderlands Trio: Asteroidea

Read "Asteroidea" reviewed by Mark Corroto

by Mark Corroto

I'll venture a guess that the listing of the names on Borderlands Trio's cover is arranged in alphabetic order, Crump, Davis, then McPherson. That is because nothing in the performance reveals a leader, nor a dominant signature. For adventurous listeners, isn't that exactly what we want from our improvisors? Let's stick with just Borderlands ...


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