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The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Michael Rabinowitz: Uncharted Waters
by Roger Farbey
Like the harp, oboe and tuba, bassoon in jazz is not a common instrument but all have been occasionally successfully employed as lead soloing instruments. Amongst a handful of others, Illinois Jacquet and Lindsay Cooper both played bassoon in a jazz context. Cooper, who died of MS in 2013, was depicted playing the bassoon in John ...
Leo Parker: Rollin' With Leo – 1961
by Marc Davis
What if I told you there's a saxman who was there at the birth of bebop--literally, he played on the very first bebop recording--and you've never heard of him? And what if I told you his life story is the very archetype of the tragic, drug-addicted jazz musician? Would you still want to hear ...
Jazz Musician of the Day: Illinois Jacquet
All About Jazz is celebrating Illinois Jacquet's birthday today! Illinois Jacquet is considered to be one of the most influential tenor saxophonists in the history of jazz music. Born on October 31, 1922, in Broussard, Louisiana, Jean Baptiste Illinois Jacquet, at the age of 19 on the very first recording of his career, spawned an entirely ...
Music Education Monday: Jazz theory with Barry Harris
Today for Music Education Monday, here are some lessons in piano and jazz theory from the veteran pianist Barry Harris, via a series of short videos produced by the Jazz Academy program of Jazz at Lincoln Center in NYC. The first of these four clips was part of a previous post here with some other piano-related ...
Piccola guida al nuovo jazz italiano
by Luca Canini
Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...
Jazz Musician of the Day: Illinois Jacquet
All About Jazz is celebrating Illinois Jacquet's birthday today! Illinois Jacquet is considered to be one of the most influential tenor saxophonists in the history of jazz music. Born on October 31, 1922, in Broussard, Louisiana, Jean Baptiste Illinois Jacquet, at the age of 19 on the very first recording of his career, spawned an entirely ...
Philadelphia's Cutting Edge Big Band: Bobby Zankel's Warriors of the Wonderful Sound
by Victor L. Schermer
Anyone familiar with the music business can tell you that it's hard enough to get a big band together for an occasional gig, let alone sustain it over an extended period of time. The time and effort involved in composing and arranging new charts, covering the cost of twelve or more musicians, and meshing their complicated ...
Zappa and Jazz: Did it Really Smell Funny, Frank?
by Geoffrey Wills
The following is an excerpt from Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in San Diego in 1955, his first exposure to the elitist snobbery of a ...
James Clay: Texas Tenor, Second Generation
by David Perrine
The term Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...


