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Piccola guida al nuovo jazz italiano

by Luca Canini
Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...
Jazz Musician of the Day: Illinois Jacquet

All About Jazz is celebrating Illinois Jacquet's birthday today! Illinois Jacquet is considered to be one of the most influential tenor saxophonists in the history of jazz music. Born on October 31, 1922, in Broussard, Louisiana, Jean Baptiste Illinois Jacquet, at the age of 19 on the very first recording of his career, spawned an entirely ...
Philadelphia's Cutting Edge Big Band: Bobby Zankel's Warriors of the Wonderful Sound

by Victor L. Schermer
Anyone familiar with the music business can tell you that it's hard enough to get a big band together for an occasional gig, let alone sustain it over an extended period of time. The time and effort involved in composing and arranging new charts, covering the cost of twelve or more musicians, and meshing their complicated ...
Zappa and Jazz: Did it Really Smell Funny, Frank?

by Geoffrey Wills
The following is an excerpt from Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in San Diego in 1955, his first exposure to the elitist snobbery of a ...
James Clay: Texas Tenor, Second Generation

by David Perrine
The term Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
Wadada Leo Smith, fenomenologia di un maestro

by Luca Canini
Non tutti i maestri sono uguali. C'è chi sceglie di farsi da parte, riducendo al minimo gli sconfinamenti, gli azzardi, i contatti con situazioni potenzialmente rischiose. E c'è chi invece si ostina a cercare, a condividere; tenendo fede a quella che del jazz è la suprema vocazione: la fisiologica tendenza a includere, in un continuo sovrapporsi ...
J.J. Johnson: An Eminent Life in Music

by Victor L. Schermer
This interview with trombonist J.J. Johnson along with Joshua Berrett and Louis G. Bourgois III, authors of his biography, The Musical World of J.J. Johnson (Scarecrow Press) was first published at All About Jazz in November 1999. All About Jazz: Congratulations to Josh and Louis on your new book--and to J.J. for now having ...
John David Simon: Phantasm

by Edward Blanco
Veteran saxophonist John David Simon delivers his third album as leader swinging through a repertoire of ten straight ahead mainstream material on the very classy Phantasm, featuring a blend of sparkling original statements and fresh new arrangements of several standards from such icons as the great John Coltrane, Horace Silver and Pat Martino among others. The ...
A Remembrance of Percy Heath

by R.J. DeLuke
This article was originally published at All About Jazz in May 2005. Percy Heath could play the hell out of that big contrabass. Played it for more than half a century. With Bird and Miles and Diz and 'Trane and Brownie and the venerable Modern Jazz Quartet and on and on. And ...
Patti Page and Nat Cole

On October 29, 1958, singer Patti Page hosted Nat King Cole and Gene Krupa as well as Illinois Jacquet, her musical director Rocky Cole and other musicians on ABC's The Patti Page Oldsmobile Show, which featured the swinging Vic Schoen Orchestra. Shows like this take me back to when I was a very little kid, being ...