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Article: Interview

Carla Bley: Shoe Leather, Mystery & Moxie

by Ian Patterson
October 23, 2023

This article was first published at All About Jazz on July 28, 2016. With the passing of time. That's roughly how the title of Carla Bley's second trio album for ECM translates. Bley turned eighty a few months before the release of Andando el Tiempo but the passing years, if anything, have sharpened her ...

Article: Live Review

Montreux Jazz Festival 2016

by Ian Patterson
July 20, 2016

Montreux Jazz Festival 2016 Various Venues Montreux, Switzerland July 9-12, 2016 No matter at what point, or for how long you dipped into the Montreux Jazz Festival during the seventeen days of its 50th edition, the sense of history was palpable. Charles Lloyd was present, just as he was ...

Article: Multiple Reviews

Montreux Through The Decades: Blues, Soul & Funk Recordings, Part 1

by Ian Patterson
July 10, 2016

As part of All About Jazz' tribute to Montreux Jazz Festival, which is celebrating its 50th edition in 2016, and to its founder, the late Claude Nobs, this second batch of live recordings features ten memorable blues, soul and funk concerts captured between 1973 and 2004. The first batch featured ten jazz recordings from concerts between ...

Article: Profile

Claude Nobs: We All Came Out To Montreux...

by Ian Patterson
June 30, 2016

Montreux Jazz Festival is fifty. It's a significant milestone and cause for celebration. No doubt there will be an added festive element to this year's edition of the festival, founded by Claude Nobs--along with pianist Géo Voumard and writer René Langel--in 1967. Yet for many, the celebrations will be tinged with sadness due to the absence ...

Article: Multiple Reviews

Montreux Through The Decades: Jazz Recordings, Part One

by Ian Patterson
June 27, 2016

To celebrate Montreux Jazz Festival's 50th edition in 2016, and as a posthumous tribute to the festival's founder, the late Claude Nobs, All About Jazz is launching a new column entitled Montreux Through the Decades, which will periodically present reviews of officially released live recordings from MJF, from its first edition in 1967 to the present. ...

Article: Book Review

Better Git It In Your Soul: An Interpretive Biography of Charles Mingus

by Ian Patterson
June 10, 2016

Better Git It In Your Soul: An Interpretive Biography Of Charles Mingus Krin Gabbard 296 Pages ISBN: 978-0-520 University California Press 2016 Compared to other historically important jazz figures, few have been the books dedicated to Charles Mingus, which is strange given his enduring influence on modern jazz practitioners. ...

Article: Interview

Simin Tander: Daring To Surrender

by Ian Patterson
June 7, 2016

Luck, so the saying goes, is ninety per cent hard work, as Simin Tander knows only too well. The Afghan/German singer is currently making international waves with What Was Said (ECM, 2016), a haunting collaboration with Tord Gustavsen, and is enjoying a higher profile than ever before. Whilst an element of luck of the right-time right-place ...

Article: Live Review

String Theory 2016

by Ian Patterson
May 30, 2016

String Theory 13 North Great Georges Street Dublin, Ireland May 20-21, 2016 String Theory, a two-day celebration of avant-garde guitar craft was no ordinary festival. The fact that the music was experimental, largely improvised and inherently risk-laden isn't what set this inaugural Dublin festival apart, after all it's what we've ...

Article: Live Review

Bray Jazz 2016

by Ian Patterson
May 10, 2016

Bray Jazz Various venues Bray, Ireland April 29 -May 1, 2016 With first-rate music festivals mushrooming all over Ireland, Bray Jazz remains a highlight in a crowded calendar. Now in its seventeenth year, Bray Jazz' tried and tested format strikes a pleasing balance musically, with jazz, folk and world musics in ...

Article: Album Review

Tord Gustavsen with Simin Tander & Jarle Vespestad: What was said

Read "What was said" reviewed by Ian Patterson

by Ian Patterson
April 20, 2016

An exciting new trio sees Tord Gustavsen and Jarle Vespestad combine with German-Afghan singer Simin Tander to submit Norwegian church music to the push and pull of improvisation and the spell of thirteenth century Persian Sufi mystic, Jalal al-Din Rumi's poetry. What might seem like an esoteric experiment, in fact follows logical currents. Gustavsen's ensembles have ...