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Bobby Previte: Mass
by C. Michael Bailey
Finally, I understand Black Sabbath and it is about damn time. Musically, my preferences tend toward the durable and dependable blues pentatonic. That is something that, harmonically, I can understand from down in my DNA. That said, when I was a teenager, I wore into nothing, the first four Black Sabbath recordings. As much as they ...
WorldService Project: For King & Country
by Glenn Astarita
This UK-based ensemble led by keyboardist, composer Dave Morecroft parallel what the rebellious Rock-In-Opposition (Henry Cow, Present, Art Zoyd) movement may stand for via a jazz-centric perspective; although, WorldService Project does not seem to be launching a tirade against conventional wisdom or record labels for that matter. But references to Punk-Jazz, or Nu-jazz may be somewhat ...
Chat Noir: Nine Thoughts For One Word
by John Ephland
There's something about RareNoise Records that keeps you on your toes. Listen to any title side by side, and you're likely to end up scratching your head, if not enjoying a gentle smile or subtle rhapsody. Okay, some of the music can be scabrous, perhaps unlistenable. But guess what? It all fits under the RN moniker, ...
Shirley Horn: Shirley Horn Live at the 4 Queens
by C. Michael Bailey
“Horn did ballads and cool, understated ruminations better than anyone except her first champion, mentor and lifelong friend, trumpeter Miles Davis. Both were masters of silence and anticipation, but even Davis teased Horn about her pacing. 'You do 'em awful slow!' he once said.'" Richard Harrington, Washington Post. The incandescence that was ...
Krakauer's Ancestral Groove: Checkpoint
by Chris M. Slawecki
Clarinet master David Krakauer was born in raised in New York City. As he spread his considerable chops throughout NYC's classical, electronica and jazz scenes, he became known as a Klezmer specialist but just as often appeared as a soloist or member of various symphony orchestras, string quartets and chamber ensembles alongside a head-shaking variety of ...
Merzbow/Keiji Haino/Balazs Pandi: An Untroublesome Defencelessness
by Mark Corroto
The often repeated refrain to a complaint about music is, “If it's too loud, then you're too old," doesn't apply to An Untroublesome Defencelessness by Merzbow, Keiji Haino, and Balázs Pándi. You probably should just agree, it is too loud. With any Merzbow record, it just seems to never gets old. Of late, Merzbow's, ...
New Zion w/ Cyro Baptista: Sunshine Seas
by Mark Corroto
The third release by Jamie Saft's New Zion Trio expands the concepts he launched with his previous efforts, Fight Against Babylon (Veal Records, 2011), and Chaliwa (Veal Records, 2013). His reggae/dub-meets-piano trio explorations expand with the inclusion of Brazilian percussionist Cyro Baptista. This rhythm trance music casts a much larger net, one of universal spirituality, beyond physical matter ...
Krakauer's Ancestral Groove: Checkpoint
by Glenn Astarita
Here, clarinetist David Krakauer derives influences from life's experiences and encounters, in alignment with his East European roots. And his Ancestral Groove outfit is once again up for the occasion. He's also revered for his important role in the New York City downtown scene amid stints and recordings for saxophonist, composer John Zorn's Tzadik records label. ...
Krakauer's Ancestral Groove: Checkpoint
by Dan Bilawsky
Clarinetist David Krakauer has been exploring his Eastern European Jewish background through music for the past quarter century. He's managed to touch on his roots in varied ways during that time, tapping into Jewish history with some help from the Kronos Quartet on The Dreams And Prayers Of Isaac The Blind (Nonesuch, 1997), finding common ground ...
J. Peter Schwalm: The Beauty of Disaster
by C. Michael Bailey
"Ambient Music." Now that is a creatively coiffured pant load of a genre designation. An outgrowth of “New Age?" The bastard child of Minimalism? Radio personality Stephen Hill's cottage industry? Well, in a word, “yes," all of these things. The evolution of music is rapidly hurling toward a time when genre will mean nothing and no ...
