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3

Article: Radio & Podcasts

Carla Bley, Count Basie, Diane Schuur, Hubert Laws & Sonny Rollins

Read "Carla Bley, Count Basie, Diane Schuur, Hubert Laws & Sonny Rollins" reviewed by Joe Dimino

by Joe Dimino

Welcome to the 900th episode of Neon Jazz! After 14 incredible years, we've hit yet another milestone--one that wouldn't be possible without the legends who have shaped jazz and the fans who've supported us every step of the way. For this special hour, we take a deep dive into the icons who have defined the sound ...

8

Article: Album Review

Ronald Snijders: Penta

Read "Penta" reviewed by Tony Poole

by Tony Poole

The son of renowned bandleader Eddy Snijders, Dutch-Surinamese multi-instrumentalist Ronald Snijders is best known as a flautist and for the four albums he released between 1977 and 1983 on his own label, Black Straight Music. An original copy of his debut, Natural Sources (1977), is considered a holy grail among collectors of 70s jazz fusion.

1

Article: Radio & Podcasts

Jamie Baum: Redefining Jazz with Poetry and Global Sounds

Read "Jamie Baum: Redefining Jazz with Poetry and Global Sounds" reviewed by Steven Roby

by Steven Roby

When Jamie Baum steps onto the stage, flute in hand, she transforms into a storyteller, weaving melodies and rhythms that feel like a conversation with the world. Her latest album, What Times Are These, is more than music; it's an exploration of poetry, culture, and the human condition. As a guest on the Backstage Bay Area ...

3

Article: Interview

Lonnie Davis: Lighting Up Charlotte with Jazz

Read "Lonnie Davis: Lighting Up Charlotte with Jazz" reviewed by K. Shackelford

by K. Shackelford

In the '90s, fierce jazz curator, flutist, and educator Lonnie Davis found herself as the only female in The University of New Orleans jazz program. Prior to that, she studied under jazz patriarch Ellis Marsalis while a high school student at the highly selective and musically rigorous New Orleans Center for Creative Arts. The brilliant music ...

85

Article: Liner Notes

Ron Carter: Anything Goes

Read "Ron Carter: Anything Goes" reviewed by Arnaldo DeSouteiro

by Arnaldo DeSouteiro

Ronald Levin Carter (born Ferndale, Michigan, on May 4, 1937) needs no introduction. Let's just say that he is the bassist's bassist. On Ron's hands, the bass and the man become the same entity, the same person. Played by Ron Carter, the acoustic bass sounds like... Ron Carter! That's why he is one of the three ...

3

Article: Opinion

Can You Judge an Album By Its Label?

Read "Can You Judge an Album By Its Label?" reviewed by Dave Hughes

by Dave Hughes

This article was first published at All About Jazz in March 1999. For almost as long as there have been record labels, many labels have sought to build a reputation or a brand identity for themselves in terms of the genre of music presented on their labels or the technical quality of their product. ...

7

Article: Album Review

Tima Volozh: Jubilee

Read "Jubilee" reviewed by Katchie Cartwright

by Katchie Cartwright

Jubilee is the excellent debut release of Russian-born New York-based drummer Tima Volozh. The group was formed in March 2022, assembled for a benefit performance in response to Russia's invasion of Ukraine. The rhythm section features bassist Jerome Harris and guitarist Brad Shepik, both of whom are known for their work with drummer Paul Motian, among ...

17

Article: Building a Jazz Library

Celebrating Don Sebesky, Part 1

Read "Celebrating Don Sebesky, Part 1" reviewed by Dan McClenaghan

by Dan McClenaghan

The passing of composer/arranger Don Sebesky in April 2023, invites a revisitation of his artistry. A Manhattan School of Music-trained trombonist, Sebesky played in the big bands of Kai Winding, Claude Thornhill, Tommy Dorsey and Maynard Ferguson. But by 1960, he found that his true passion was arranging and conducting. For this, he was nominated for ...

14

Article: Album Review

Sylvie Courvoisier / Cory Smythe: The Rite of Spring: Spectre d’un songe

Read "The Rite of Spring: Spectre d’un songe" reviewed by Karl Ackermann

by Karl Ackermann

Two daring jazz improvisers take on a cherished hundred-year-old classical ballet masterpiece with radical roots on The Rite of Spring: Spectre d'un songe. Igor Stravinsky was fresh off the success of his 1911 “Petrushka," which radiated with the artistic atmosphere of his Russia, when in 1913 he premiered “The Rite of Spring" at the opening of ...


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