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Simone Zanchini: The Music Of Nino Rota
by Howard Mandel
"I'm a musician who plays accordeon, not an accordeonist who plays jazz," says Simone Zanchini, proud of a distinction that is substantiated by Nino--his 25th album in the 20 years since his recording debut. Using vast resources drawn from the panoply of music he's studied, discovered, invented and developed for his too often stereotyped and maligned ...
Heiner Stadler: Brains on Fire
by Howard Mandel
Brains on Fire fuels reflection on the past and response in the present. These eight extraordinary extended tracks, recorded in unusual conjunctions of master jazz improvisers instigated by composer/pianist Heiner Stadler for sessions held from 1966 through 1974, are alive with the passions of that era celebrating large, original works stretching the bounds of ...
Organ Monk: Uwo In the Black
by Howard Mandel
Organ Monk is the inspired--some might say mad"--project of Brooklyn-based keyboardist Greg Lewis to play the unique compositions of Thelonious Monk as they've never been played before. Lewis throws down Monk's memorable turns of melody and digs into his harmonic insights, mostly at groovin' rhythms, on the Hammond C 3 organ. It's tempting to say Lewis' ...
Ari Erev: Flow
by Howard Mandel
In Flow, pianist-composer Ari Erev and his players pour fresh energies into the bounty of sounds that sweeten our world. They do so in accord with the principles of personal expression, collaborative sensitivity and creative sophistication that characterizes jazz in all its gloriously open forms. A century since this music's birth, through decades that have witnessed ...
Zvonimir Tot's Jazz Stringtet: Sarabande Blue
by Howard Mandel
"On this record I'm trying to fuse two things I know something about: classical composition and jazz," says Zvonimir Tot, the Serbian-born, jny: Chicago-based guitarist, composer, arranger, improviser and educator regarding Sarabande Blue, his sixth album as a leader. The debut of Tot's Stringtet, an ensemble several years in development, is a gift from a musical ...
Trio Da Paz: 30
by Howard Mandel
Only very special collaborations last 30 years, and rarely do they become more exciting and together over the decades. Trio da Paz, however, is one such long-lasting and still lightning band. The team of drummer Duduka Da Fonseca, guitarist Romero Lubambo and bassist Nilson Matta, all Brasilian jazzmen of New York City, is just as dashing ...
Sun Ra at Inter-Media Arts, 1991
by Howard Mandel
On April 10, 1991, the night of this concert at Inter-Media Art Center in Huntington, Long Island, Sun Ra was near the apogee of his earthly transit. Having led his transformative iterations of his Arkestra around the globe for an unlikely if not unimaginable four decades, the visionary composer, keyboardist, conceptualist and cosmologist was, even though ...
Billy Lester: Unabridged
by Howard Mandel
Pianist Billy Lester is a musical original. That's obvious from the first, oh, 17 seconds of Unabridged, his sixth album and second all-solo recording. Listen to the unusual, brief motif with which Lester opens Overture: Passionate Musings," then develops, complicates and completes it faster than you'd tie a shoelace. Pause--and he continues. Not to ...
Patrick Brennan and sOnic Opening: Tilting Curvaceous
by Howard Mandel
Tilting Curvaceous is all-of-a-piece, s0nic 0penings' instigator and extraordinary alto saxophonist Patrick Brennan informs us, emerging from a single meta-groove interface," to be heard whole. That may come naturally to fans of creative improvisation since the breakthroughs of Ornette Coleman, say, and new constructions by composers including Cecil Taylor, the Art Ensemble of Chicago, Henry Threadgill ...
Klaus Kugel: Op Der Schlemz Live Nemu
by Howard Mandel
The collective quartet performance Op Der Schlemz Live by drummer Klaus Kugel pianist Roberta Piket, saxophonist Roby Glod and bassist Mark Tokar is rooted in steady balance yet full of dynamic surprises. Most people approaching this record will understand in advance that's a good thing, since surprises are exactly what we hope for when music is ...