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Szilárd Mezei Tubass Quintet: Rested Turquoise
by Mark Corroto
Pardon the quote from the American rock band Cracker's lyrics to “Low": Sometimes I want to take you down/Sometimes I want to get you low/ Brush your hair back from your eyes/Take you down let the river flow. It's relevant because Szilárd Mezei's Tubass Quintet does carry out a mission to take you low. With a ...
Alan Rubin: Mr. Fabulous in Every Way
by Nicholas F. Mondello
In the Hebrew language, the ancient word “Rubin" translates as “Behold, a son!" Yes, Alan Rubin, trumpeter, actor, studio phenomenon, beloved friend, respected colleague, loving husband and soulmate to his wife, Mary, was something to behold. Many people—even non-musicians— remember Rubin as a stalwart member of the “Saturday Night Live" and Blues Brothers Bands and as ...
Saxophone Colossi: An Alternative Top Ten Banging Albums
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...
New Releases From Pianists Karen Hammack, Lara Driscoll & Chris White, Amanda Tosoff Plus Some Jazz Country Crossover
by Mary Foster Conklin
This broadcast features a new single from Carmen Lundy, plus releases from pianists Karen Hammack, Lara Driscoll & Chris White, Amanda Tosoff plus vocalist Staci Griesbach adds some Jazz Country with her new tribute to Shania Twain. There are birthday shoutouts to Dolly Parton, Lori Williams, Gary Burton, Audrey Ochoa, Mariah Parker, Lizz Wright and George ...
Dave Stryker, Howard Johnson & Steve Slagle
by Joe Dimino
During our second show of 2021, we continue to look at the music and voices giving jazz fans new music and insights in this pandemic world. We begin with veteran guitarist Dave Stryker teamed up with the legendary Bob Mintzer and the WDR Big Band. We also profile the talents of Miki Yamanaka, Dean Tsur, Steve ...
Muse Records: Ten Smoking Hot Albums
by Chris May
Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums
by Chris May
Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...
Results for pages tagged "Howard Johnson"...
Howard Johnson
Born:
Howard Johnson is universally known as the finest proponent of the jazz tuba in the world, as well as being quite proficient on the baritone saxophone. He also plays flugelhorn, bass clarinet, cornet, and penny whistle among other instruments. Howard was born in Montgomery, Alabama on August 7, 1941. He taught himself the baritone sax in 1954 and the tuba a year later. He moved to New York in 1963—at a time when the tuba was not a fashionable jazz instrument (outside of the New Orleans-style bass-line chores, the only visible player was Ray Draper) but Charles Mingus welcomed Howard into his workshop in 1964
