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Horace Silver: Horace-Scope
Everyone has a favorite Horace Silver album. Mine is Horace-Scope. Recorded in July 1960, the album has a hair-raising lineup of tracks and a superb mix of Silver's grumbling bass lines, high-energy melodies and snap-crisp horns. Don't get me wrong, I love Song for My Father, Six Pieces of Silver and Blowin' the Blues Away. All ...
Fulfilling what has been lacking...
by AAJ Staff
By Mickey Bass Jazz, as we once knew it, has become a thing of the past. For a lot of years clubs and promoters have been saying that this music is dead. My response to that statement is, How can jazz be dead when its creators are still alive and well and creating?" ...
Stephen Anderson: Forget Not
by Jay Deshpande
Pianist Stephen Anderson is an exemplar of the scholar-musician. Although jazz education is an ever-growing field, it's rare to find someone who succeeds in both disciplines, as a player and an academic. Perhaps because jazz is so fundamentally founded on feel," it leaves less space open for the rational or analytical. But at least some of ...
George Kahn: Cover Up!
by Edward Blanco
West Coast jazz pianist George Kahn presents fresh new arrangements to pop and rock tunes associated with such groups as Cream, The Beatles, Pink Floyd, Bill Withers and John Mayer, in a sense redefining or adding to the controversy, or, as the title of his album would suggest, the Cover Up! of what truly defines the ...
Blue Note 70th Anniversary Tour at the Kimmel Center
by Victor L. Schermer
The Blue Note 7Kimmel Center for the Performing ArtsVerizon HallPhiladelphia, PennsylvaniaMarch 28, 2008 The legendary Blue Note record label is celebrating its 70th Anniversary this year. To briefly summarize its history and achievements, one can do no better than to quote from the Wikipedia entry on the subject:
Horace Silver: Finger Poppin'
by Samuel Chell
Finger Poppin' (1959) followed Silver's most under-appreciated (and perhaps most ambitious) Blue Note date, Further Explorations (1958). The cast is different (though the fiery Louis Hayes remains on drums), but the compositions and arrangements by Silver are no less artful and the soloists as inspired as the frontline of Art Farmer and Clifford Jordan from the ...
Three of a Perfect Pair
by Chris M. Slawecki
For the past decade or thereabouts, I've tried to organize From the Inside Out" around one theme, to address in one column the different ways that different musicians perform on the same instrument, or in the same style or genre. But if there's one lesson that life seems intent on teaching, it's that music (like life) ...
Trumpeter Vinnie Cutro & New York City Soundscape Release "Sakura"
On Sakura, his 4th album as a leader, trumpeter Vinnie Cutro presents a set of straight ahead mainstream jazz that extends the legacy of such hard-driving bands as Art Blakey & The Jazz Messengers and the 1950s quintets led by Horace Silver and Miles Davis. Cutro contributes 6 originals and a haunting arrangement of the familiar ...
Art Farmer: Brass Shout / The Aztec Suite
by Chris M. Slawecki
Brass Shout / The Aztec Suite combines two Art Farmer releases: Brass Shout, arranged by his longtime associate, Benny Golson, and The Aztec Suite, including its famous panoramic title track, arranged by Chico O'Farrill. Combining these two titles, both from 1959, creates an expansive survey of jazz, Latin jazz, and pop played as jazz. ...
Horace Silver: Live at Newport '58
by Stuart Broomer
From his first recordings with the Jazz Messengers in 1954, Horace Silver's values as pianist, bandleader and composer have been clearly evident: buoyant swing propelled by strong riffs and ensemble drive, along with expressive, edited-in-advance solos. There's a kind of controlled enthusiasm at the center of Silver's music, a slightly formal celebration that owes much to ...


