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SFJAZZ Collective: Live SFJAZZ Center 2013 - The Music of Chick Corea & New Compositions
by John Kelman
Some things change, some things stay the same. After two successive recordings and tours with an identical lineup--a first in its now 10-year history--the SFJAZZ Collective once again undergoes some minor personnel shifts. More important, however, is that Live SFJAZZ Center 2013: The Music of Chick Corea & New Compositions comes a full two years after ...
Matt Wilson Quartet + John Medeski: Gathering Call
by Mark Corroto
When he is not occupying the drum chair of one of dozens of bands that he is called upon to inject with his contagious effervescence, drummer Matt Wilson can be found leading his two bands, Arts & Crafts and the Matt Wilson Quartet. Both quartets feature stellar bassists, Arts & Crafts--Martin Wind and here, Chris Lightcap. ...
Mosaic Records: Making Jazz History
by Bob Kenselaar
No one is more astonished by the longevity of Mosaic Records than Michael Cuscuna, the veteran record producer and one-time disc jockey who founded the label together with Charlie Lourie, a former clarinetist who worked in both jazz and classical contexts before becoming an executive at CBS records, Blue Note, and elsewhere. Arguably the premier reissue ...
Romain Pilon: Colorfield
by Bruce Lindsay
French guitarist Romain Pilon might have been inspired in his early years by AC/DC's Angus Young, but he's clearly taking his cues from much calmer influences on Colorfield. Pilon is accompanied by tenor saxophonist Walter Smith III, double bassist (and Whirlwind Records owner) Michael Janisch and drummer Jamire Williams on this atmospheric collection. Colorfield ...
The Bill McBirnie Trio: Find Your Place
by Dan McClenaghan
The standard organ trio doesn't usually include a flute. On paper, it sounds like a bad idea. It seems as if the cool breeze aspects of the airy blowing of the flute would get lost in the organ's electric woosh. As it turns out, flutist Bill McBirnie's Find Your Place, proves those seemingly similar sounds to ...
What's Wrong With Today's Live Jazz
by Richard Lawn
What's wrong with today's live jazz scene? There has been a great deal of whining about the climate for live jazz these days. The complaints are sometimes accompanied by speculation about why jazz seems to have slipped off the radar, particularly in many major cities such as Philadelphia. The complaints, however, are often unaccompanied ...
Randy Brecker: A Fusion Legacy
by R.J. DeLuke
On stage at the North Sea Jazz Festival in Holland last July, the ubiquitous trumpeter Randy Brecker lowered his horn after playing two joyous and funky numbers on the stage that is one of the festivals largest venues, serving as a hockey arena during the appropriate season. There were throngs of people, sitting and standing, gleefully ...
Saturday Morning
by Ian Patterson
Just over a year after Blue Moon (Jazzbook Records, 2012) —Jamal's stellar homage to American cinema and Broadway—the Pittsburgh pianist returns in the same rich vein of form on Saturday Morning. Blue Moon earned a Grammy nomination, and for the second time in recent years Jamal was invited to open the Lincoln Center season in September; ...
The Chris Parker Trio: The Chris Parker Trio
by Dan Bilawsky
Drummer Chris Parker has a to-die-for résumé. Over the past four decades, he's worked with everybody from the The Brecker Brothers to Miles Davis and Laura Nyro to Lou Rawls, taking a genre-blind approach to drumming that continues to serve him well. As a sideman, he's made his mark time and again with a who's who ...
Take Five With Cheryl Pyle
by AAJ Staff
Meet Cheryl Pyle:The versatile flutist Cheryl Pyle received her BA in Music from the University of California at Berkeley in 1976, having received her Associates Degree from Mesa College in 1974. Her teachers included Merrill Jordan, Janet Maestre, Francis Watson, and Jayn Rosenfeld. She took Master classes with Jean-Pierre Rampal, Julius Baker, and James ...
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