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Jazz Musician of the Day: Horace Silver
All About Jazz is celebrating Horace Silver's birthday today! When Horace Silver once wrote out his rules for musical composition (in the liner notes to the 1968 record, Serenade to a Soul Sister), he expounded on the importance of “meaningful simplicity." The pianist could have just as easily been describing his own life. For more than ...
Dominick Farinacci: Sharing Stories
by R.J. DeLuke
Dominick Farinacci, a trumpeter from Cleveland, is a strong improviser with a wide, round tone. It's suited for his predilection for the melodic side of the music. But his vision of music extends beyond the act of playing and the art of performing--something he has done around the globe for years, carving out a successful career ...
Horace Silver: The United States of Mind – Revisited
by Marc Davis
At what point did Blue Note Records jump the shark? Is there a single moment when Blue Note stopped being the world's greatest purveyor of jazz and instead became an irrelevant producer of schlock? Truth is, it was a long, slow slide. In the 1950s, Blue Note was the greatest source of hard bop. ...
Ron Carter: Always at the Center of the Action
by Victor L. Schermer
Great jazz bassists can always be identified by the fact that you really listen to them! A good jazz bassist keeps good time and gets the chords right, but a great bassist, going as far back as Jimmy Blanton, Scott LaFaro, Charlie Haden, or Jimmy Garrison, catches your ear because you're surprised and moved by what ...
Herbie Hancock: The Blue Note Albums
by Maurizio Zerbo
Risale al 1962 il primo disco di Herbie Hancock, già distintosi al fianco di Donald Byrd come pianista equilibrato e raffinato, di sicuro affidamento. La stima di cui godeva era già tale da rendere il suo esordio discografico un vero e proprio evento. A differenza di quanto normalmente avveniva per le opere prime, Takin Off (Blue ...
Tubby Hayes: Split Kick - Live In Sweden 1972
by Bruce Lindsay
The hits, as various unimaginative DJs keep reminding us, just keep on coming. So, too--or so it appears--do new albums of material from the late Tubby Hayes. Some of these Hayes albums are re-releases, some are “special editions" and some present us with previously unreleased tracks. Split Kick -Live In Sweden, 1972 is an example of ...
U.S. Army Blues: Live At Blues Alley
by Chris M. Slawecki
Times have surely changed since The U.S. Army Blues was founded in 1942 (as “Pershing's Own," the Army Dance Band) to entertain soldiers and civilians in combat zones during WWII. But this Blues band has managed to keep pace, and has performed at the Monterey and Montreux Jazz Festivals and at New York City's hallowed Birdland, ...
Artistry in Rhythm: Afro-Cuban Epiphany to Haitian Voodoo
by Chris M. Slawecki
Brian Andres & the Afro-Cuban Jazz Cartel This Could Be That Self-Produced 2016 This Could Be That celebrates the first decade of Brian Andres & his Afro-Cuban Jazz Cartel, which came together in 2007 in and around the San Francisco Bay Area's Latin jazz hothouse. Music is ...
Leonieke Scheuble's Journey Into The Art Of Jazz
by David A. Orthmann
The setting is a living room in a suburban northern New Jersey home. For the most part, it's filled with things not necessarily available at the furniture outlets that line the local highways. An upright piano takes up most of the wall adjacent to the front door. A harpsichord spans the area between the entrances to ...
Charlotte Jazz Orchestra: Uptown Down
by Jack Bowers
Uptown Down is the second album by the Charlotte (NC) Jazz Orchestra, a credibly proficient ensemble for a city that size. Unlike its earlier, in-house endeavor, this one is intended for public consumption; also unlike its sequestered debut, the CJO has chosen this time to intersperse its half-dozen instrumentals with vocals by Renee Ebalarosa. Is that ...
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