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Take Five With Edward Simon
by AAJ Staff
Meet Edward Simon: The process by which Simon became an internationally regarded jazz musician began in the small coastal town of Cardon, Venezuela, where he grew up surrounded by the sounds of Latin and Caribbean music. Born in 1969, Simon credits his father, Hadsy, for developing his passion for music and supporting him and ...
Chick Corea: Creative Giant
by Esther Berlanga-Ryan
Virtuosity is a beautiful thing. One would somehow like to believe that anybody can learn how to play any given instrument with delicate, enchanting energy; but truth be told, some are simply born with a gift that most can only dream of. The ability to amaze others through music, enriching the hearts and widening the creative ...
Mark Weinstein: Jazz Brasil
by Edward Blanco
Flautist Mark Weinstein has been a major force in the Latin jazz genre for some time, releasing projects almost yearly. Though the body of his discography falls squarely within the Afro-Cuban form which remains his passion, he has slowly gravitated towards the Brazilian sound, releasing three Brazilian-style projects, for Jazzheads, since 2005. On Jazz Brasil, Weinstein ...
Hubert Laws: Flute Virtuoso and NEA Jazz Master
by Greg Thomas
After James Moody and Frank Wess established the flute as a solo jazz instrument in the 1950s, and Herbie Mann popularized it in the 1960s, the musician that has become most identified with virtuosic flute performance in jazz is Hubert Laws, who became a recipient of the National Endowment for the Arts (NEA) Jazz Masters Fellowship ...
NEA Jazz Master Hubert Laws Interviewed at All About Jazz
After James Moody and Frank Wess established the flute as a solo jazz instrument in the 1950s, and Herbie Mann popularized it in the 1960s, the musician that has become most identified with virtuosic flute performance in jazz is Hubert Laws, who became a recipient of the National Endowment for the Arts (NEA) Jazz Masters Fellowship ...
Thomas Savy: The French Suite
by Greg Simmons
Frenchman Thomas Savy seems intent on making a statement with his bass clarinet, and he's doing so in a challenging format: a trio, accompanied only by bass and drums. He's out of the gate running with French Suite. The bass clarinet is a terrific sounding instrument, with a big wooden resonance and dimensional texture, ...
Mark Weinstein: Jazz Brasil
by Jerry D'Souza
Mark Weinstein had a long journey across the trail of music instruments before he settled on the flute. He first played the piano when he was six. He then tried the clarinet and the drums before gravitating to the trombone and string bass in high school. The trombone was the mainstay for quite a while, and ...
Mark Weinstein: Jazz Brasil
by Dan Bilawsky
Jazz Brasil continues flautist Mark Weinstein's odyssey through the world of Latin jazz. The former trombonist-turned-philosophy-professor-turned-flute-phenom has delivered a steady stream of Latin jazz releases that highlight material from well-known Latin American composers, deal with original material, and deliver Latin-ized takes on jazz classics. His previous release, Timbasa (Jazzheads Records, 2010), tackled Cuba with percussion-heavy gusto, ...
Mark Weinstein: Jazz Brasil
by C. Michael Bailey
Flautist Mark Weinstein has enjoyed impressive success with his almost yearly releases. Timbasa (Jazzhead Records, 2010), Tales from the Earth (With Omar Sosa) (Ota Records, 2009) and Straight No Chaser (Jazzhead Records, 2008) were all favorably reviewed within these sacred electrons. Weinstein belongs to an elite club of jazz flautists, a necessarily small one that includes ...
