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Massimo Biolcati: Incontre
by Friedrich Kunzmann
Massimo Biolcati is somewhat of a quiet giant. This is revealed not only by the elegant way in which he handles his double bass but is furthermore expressed by his humble personality on-stage as well as off. So much for the quiet aspect. Why a giant? Raised in Italy and Sweden, Biolcati graduated from both the ...
John Yao, Chris Potter, Clark Terry and More
by Joe Dimino
This week we open with John Yao, one of the best kept secrets in the world of jazz, featuring his group Triceratops with a cut off his latest album How We Do. And best kept jazz secrets is one of the themes of this episode. We also look into the world of accomplished jazz cats Chris ...
Emmet Cohen: Masters Legacy Series Volume 4: Emmet Cohen Featuring George Coleman
by Mike Jurkovic
So here we are, nearly knocking on the door to February 2020, and we're listening to the second of Emmet Cohen's two entrancing, late 2019 releases: Masters Legacy Series Vol. 4 Emmet Cohen featuring George Coleman--a good harbinger for the new year. And heaven knows we could use a boatload of good harbingers these exhausting days. ...
Marc Copland: And I Love Her
by Mike Jurkovic
Perhaps you glance quickly at the song titles on the back cover and haphazardly say to yourself or your phone or your new imaginary friend “What?!"Afro-Blue" again?" and just as haphazardly put the disc down and move on to Billie Eilish. But, if you take a moment-you'll-never-get-back to pause and listen, you'll hear drummer Joey Baron ...
Scott Kinsey: On speaking Luniwaz with an accent
by Friedrich Kunzmann
Scott Kinsey belongs among the most influential keyboard players of the past decades and seems capable of adapting to any style of music. Unlike those who came before him, Kinsey was born into the golden era of keyboards and synthesizers, when visionaries such as Chick Corea and Herbie Hancock had already begun to explore the vast ...
Franco D'Andrea: Il pianoforte come sintesi di colori
by Paolo Marra
Franco D'Andrea non è certo un musicista abituato a guardarsi indietro nonostante ormai da decenni rappresenti l'eccellenza del jazz italiano con più di duecento dischi incisi e svariati premi vinti. Il segreto di questa longevità artistica è da ritrovare nella sua capacità di aggiornare continuamente il suo lessico pianistico composto da riferimenti antropologici alla musica africana ...
Kendrick Scott: Making Walls into Bridges
by Rob Garratt
Kendrick Scott authored one of the most compelling jazz releases of last year with A Wall Becomes a Bridge (Blue Note, 2019), a nuanced meditation on identity, history and prejudice, shepherded under the direction of producer and former band mate Derrick Hodge. Pairing gorgeous, searching improvisatory canvases with break beat interludes and samples from guest DJ ...
Masa Ishikawa: Dialogue
by Don Phipps
The happy set of ten originals Masa Ishikawa composed for his album Dialogue suggests a budding talent. A visiting professor of jazz at the University of Iowa, Ishikawa, along with his bandmates, demonstrates a precise and light touch, where bluesy readings have just the right sense of playfulness. Born in Fukushima, Japan, Ishikawa teams ...
Manfred Eicher: ECM 50 at Centre Culturel Flagey, Brussels
by Mario Calvitti
This article first appeared at italia.allaboutjazz.com. ECM 50Centre Culturel FlageyBrussels, BelgiumNovember 21-24, 2019 During the year marking the 50th anniversary of the foundation of the German record company ECM, there have been numerous music festivals in Europe and America dedicated to the official celebration of the event. One of ...
Mark Lettieri: Snarky Guitars, Part 1
by Mike Jacobs
Part 1 | Part 2 | Part 3 For the first interview in a series on the Snarky Puppy guitar triumvirate, we spoke to Mark Lettieri. Unlike most of the original core members of the band, Lettieri did not come out of the jazz program at the University of North Texas. Oddly enough, he ...
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