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2

Article: Album Review

Hendrik Meurkens: Cobb's Pocket

Read "Cobb's Pocket" reviewed by Nicholas F. Mondello


It may be posited that what Louis Armstrong was to the trumpet, Toots Thielemans was to the mouthorgan. With Thielemans now blowing in the Upper Room, the field is open to aspiring and worthy replacements. Hendrik Meurkens fits that bill appropriately and is a leading contender, for sure. Like his aforementioned hero, Meurkens is not only ...

3

Article: Album Review

Hendrik Meurkens: Cobb's Pocket

Read "Cobb's Pocket" reviewed by Dan Bilawsky


Is there anything more satisfying than the simmer-and-swing sonics of an organ combo on the move? How about one fronted by one of jazz's premiere harmonic players and backed by one of the most distinguished drummers in the music's history? Following up their successful meeting on Harmonicus Rex (Self-Produced, 2016), Hendrik Meurkens and nonagenarian icon Jimmy ...

22

Article: Album Review

Marc Copland: And I Love Her

Read "And I Love Her" reviewed by John Kelman


There was a time when Marc Copland was releasing multiple albums every year, sometimes as many as three or four, like in 2009, when the veteran pianist (who began his musical life as a saxophonist) released his second solo piano album, Alone (Pirouet); an intimate duo date with veteran bassist Gary Peacock, Insight (Sketch); and the ...

11

Article: Live Review

Galway Jazz Festival 2019

Read "Galway Jazz Festival 2019" reviewed by Ian Patterson


Galway Jazz Festival 2019 Various venues Galway, Ireland October 2-6, 2019 Bat song may be a first at a jazz festival, but then they do things differently here in Galway. Bats were in and plastic was out. No plastic laminates or cable ties, no plastic on outdoor advertising, no ...

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Article: Album Review

Kit Downes: Dreamlife of Debris

Read "Dreamlife of Debris" reviewed by Karl Ackermann


Kit Downes' ECM debut marked a substantial departure from his earlier recordings with saxophonist Tomas Challenger. Wedding Music (Loop Records, 2013) and Vyamanikal (Slip Imprint, 2016) were rhythmically complex with abstruse melodies that tended toward repetitive patterns and drones. With his ECM title Obsidian (2018), Downes, still on organ, worked in a more solidly constructed environment, ...

7

Article: Multiple Reviews

Jazz in the Key of Japan: The J Jazz Masterclass Series on BBE

Read "Jazz in the Key of Japan: The J Jazz Masterclass Series on BBE" reviewed by Jakob Baekgaard


It's widely known that Japan is a country with a jazz-loving population. The audience appreciates the music and shows it proper respect. It has been that way for a long time. In fact, the history of jazz in Japan goes back to the 1920s when jazz was still popular dance music. Since then, the music has ...

2

Article: Live Review

4 Wheel Drive at Hong Kong Arts Centre

Read "4 Wheel Drive at Hong Kong Arts Centre" reviewed by Rob Garratt


4 Wheel Drive Quartet Hong Kong Arts Centre Jazz World Live Series Hong Kong September 3, 2019 When exactly did jazz artists covering pop music shift from being a cheap and/or twee—but near-universally frowned-upon—novelty, to an almost obligatory rite of passage? Some will point to the pioneering piano ...

9

Article: Interview

Stanley Nelson: How Do You Make A Film Do Justice To Miles Davis And His Music?

Read "Stanley Nelson: How Do You Make A Film Do Justice To Miles Davis And His Music?" reviewed by Victor L. Schermer


Miles Davis is far more than a legendary jazz great. He was and is a cultural and musical icon whose life was largely compelled by five driving forces: 1) his groundbreaking innovations in cool jazz, modal music, fusion, and beyond; 2) his “cool" persona, which has influenced and inspired several generations; 3) his tempestuous love life; ...

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Article: Multiple Reviews

John Law: The Re-Creations Trilogy

Read "John Law: The Re-Creations Trilogy" reviewed by Jakob Baekgaard


John Law is one of the most prominent pianists on the British jazz scene and he is also a distinctive composer. So far, he has focused primarily on building a substantial compositional body of work, culminating in his ambitious Art of Sound tetralogy (33 Jazz, 2007-2009), followed by strong records like Three Leaps of the Gazelle ...

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Article: Album Review

Ian Michael Brown: The Beauty of Not Knowing

Read "The Beauty of Not Knowing" reviewed by Geno Thackara


Ian Michael Brown seems like a fellow who enjoys a little mystery--not the kind that is dark or forbidding, but the kind that makes travel and exploration so much fun. That feel is only further reinforced by a lush jazz-fusion sound which takes a few tonal cues from Brad Mehldau and the Pat Metheny Group. He ...


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