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Max Haymer: Whirlwind: Live at Sam First
by Edward Blanco
Los Angeles pianist and composer Max Haymer has been a busy man this past decade, touring as a longtime member of Arturo Sandoval's band, leading his own group and performing as an accompanist to singer Jane Monheit. Accordingly, Whirlwind: Live at Sam First is Haymer's first album since Pickpocket Witness (CD Baby, 2008) twelve years ago. ...
2020: The Year in Jazz
by Ken Franckling
The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what “new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...
Take Five With Roman Miroshnichenko
by AAJ Staff
Meet Roman Miroshnichenko Roman Miroshnichenko is a virtuoso guitarist, one of the premier guitarists of the new generation of the jazz-fusion music. He has received a total of 30 nominations with 10 wins in multiple international songwriting contests and music awards throughout 2010-2020, including four The Independent Music Awards, 1st Prize of the USA Songwriting Competition, ...
Dave Young Quartet: Ides Of March
by Mark Corroto
Maybe the finest compliment you can bestow on an individual in our COVID-19 times is that he/she is a solid citizen, someone who takes it upon themselves to protect others from the dangers of this horrible virus. What does this have to do with the music of bassist/bandleader Dave Young? First, it is fundamental that all ...
Alex Wintz Trio: Live To Tape
by Dan McClenaghan
Back in the day (the 1960s), when guitarist Grant Green stepped into the studio to record for Blue Note Records, they rolled the tape. Literally. Pushed a button and the spools began to spin, the left circle feeding the right. On Live To Tape, that is how guitarist Alex Wintz rolls, too, taking his modern sound ...
Billy Childs: L.A. Contentment
by R.J. DeLuke
Billy Childs says taking formal piano lessons as a young child “didn't register" at the time. He didn't recoil from the instrument by any means, but it wasn't yet exciting. But he had a neighbor who also played. Childs looked up to him. It was that neighbor who showed him stuff--taught him to play “ Cantaloupe ...
George Coleman: In Baltimore
by Mike Jurkovic
At 85, tenor saxophonist George Coleman has sat in on and made his presence mightily known on a host of flat out, hard bopping sessions beginning with B.B. King through Max Roach, Miles Davis, Booker Little, Lee Morgan, Herbie Hancock and . . . well, you should have got the larger picture by now.
Lionel Loueke, Roberto Cecchetto, Prince & Miles, Bootsy & More New Releases
by Ludovico Granvassu
In this week's exploration of new and upcoming releases we explore a whole range of human interactions, from Matt Wilson's hugs to Kahil El'Zabar's jumps and shout, from Prince and Miles Davis going mano a mano to Bootsy Collins and Branford Marsalis proceeding arm in arm like true funkateeers, from Antoine Pierre following Miles' steps to ...
Take Five with George Kahn
by AAJ Staff
Meet George Kahn George Kahn majored in music at Brandeis University and moved to Los Angeles in 1976 to pursue a music career as a pianist and film composer. His jazz recording career now spans over 20 years. The George Kahn Trio album, released in 2018 reached #16 on the JazzWeek Charts. His new album, George ...
Tim Berne: The Deceptive 4—Live
by Mark Corroto
The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...
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