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2019 Tri-C JazzFest Cleveland

by C. Andrew Hovan
2019 Tri-C JazzFest Cleveland Playhouse Square Cleveland, Ohio June 27-29, 2019 The year was 1979. Mainstream styles were on the wane and the major labels had largely abandoned jazz product, with the invention of the compact disc some three years in the future. The musical landscape in terms of jazz was ...
Nate Najar with the John Toomey Trio at Attucks Theatre

by Mark Robbins
In 1961, under the sponsorship of the U.S. State Department, jazz/classical guitarist Charlie Byrd toured South America. This trip proved to be fortuitous for both Byrd and North America for it introduced Byrd to the Brazilian Bossa Nova. Back in the states Byrd played Bossa Nova tapes for Stan Getz who then convinced producer Creed Taylor ...
Dave Liebman: On the Corner Live!

by Victor L. Schermer
When the Miles Davis album On the Corner (Columbia, 1972) was released, Davis had already begun to engage in electronic instrumentation and jazz fusion with soon to be revered recordings: In A Silent Way (Columbia, 1969), Bitch's Brew (Columbia, 1970) and Jack Johnson (Columbia, 1971). On the Corner, however, was so experimental and funky that it ...
Susanna Risberg: Bold As Love

by Ian Patterson
Listen to Susanna Risberg playing and it doesn't take long to realize that the twenty-eight-year-old Swedish guitarist is a bit special. Despite her relatively young years Risberg has been gigging for fifteen years already, turning more than a few heads along the way with a style that is unflashy yet exciting, technically impressive yet emotionally keen. ...
Tom Kennedy: In A New York Minute

by Jim Worsley
Riding high on the low end since arriving in New York City in 1984, premier jazz and fusion bassist Tom Kennedy has shared his groove and innate musicality all over the world. He has shared the stage and recording studio with a long list of varied and talented artists. Names like Michael Brecker, Steve Gadd, Lee ...
Ron Carter: Still Searching for the Right Notes

by Rob Garratt
"People from newspapers and magazines always ask me two things," Ron Carter tells a reverent crowd from a stage in suburban Hong Kong. What was it like playing with Miles Davis? And why am I still doing this?" He answers the latter enquiry by pointing left and right simultaneously at his two diligent sidemen, pianist Donald ...
Falcarragh Winter Jazz Festival 2018

by Ian Patterson
Falcarragh Winter Jazz Festival Various Venues Falcarragh, Ireland December 7-8, 2018 It only rained twice during the inaugural Falcarragh Winter Jazz Festival--all day Friday, and then all day Saturday. Still, no amount of rain or wind could dampen the spirits of those who turned out to support this bold initiative ...
Jay Thomas: We Always Knew

by Paul Rauch
Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...
Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1

by Karl Ackermann
Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...
Nick Costley-White: Detour Ahead

by Roger Farbey
Nick Costley-White has appeared on a couple of significant albums recently; Henry Spencer's The Reasons Don't Change (Whirlwind, 2017) and Snowpoet's Thought You Knew (Edition, 2018). Graduating from London's Guildhall School of Music and Drama in 2011 with first class honours and a Yamaha Jazz Scholarship prize for Outstanding Musicians, Detour Ahead is his long-anticipated debut ...