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Stephanie Richards: Take The Neon Lights
by Mike Jurkovic
Trumpeter/composer Steph Richards kicks ass and she wants you to know it from the very first cutting, fluttering evocations of Take The Neon Lights' title tune/opener to the near “Taps"-like silence that closes things out, “All the Years of Our Lives." With a colorful CV of playing alongside such boundary-busting, risk-taking players as David ...
Josh Sinton's Predicate Trio: Making Bones, Taking Draughts, Bearing Unstable Millstones Pridefully, Idiotically, Prosaically
by Glenn Astarita
Bass clarinetist and baritone saxophonist Josh Sinton (Ideal Bread, Nate Wooley Quintet, Adam Hopkins' Crickets) has always been a tenacious improviser, and with his new trio bridges the gap between post-modernism, raw experimentalism and core jazz fundamentals. Featuring all-universe drummer Tom Rainey and cellist Chris Hoffman--admired for his work with cutting-edge music acolyte Henry Threadgill and ...
Henry Threadgill: la sintesi e gli specchi
by Giuseppe Segala
Il settembre 2017 è stato per Henry Threadgill un mese di intensa vendemmia discografica: nel giro di pochi giorni, dal 24 al 27, il compositore e polistrumentista è entrato nello studio Water Music, New Jersey, con due formazioni diverse ma per molti versi complementari, e una bella mole di materiale. Uno dei due organici, denominato Double ...
Jazz Musician of the Day: Henry Threadgill
All About Jazz is celebrating Henry Threadgill's birthday today! Henry Threadgill first performed as a percussionist in his high school marching band before taking up the baritone saxophone and later a large portion of the woodwind instrument family. He soon settled primarily upon the alto saxophone and the flute... Read more. Place our Musician of the ...
NYT Approved
by Patrick Burnette
Vegetation may die in December but best-of lists sprout like weeds. This episode, the boys examine four selections on the venerable New York Times' best-of list of 2018 jazz releases, and (by their cranky standards, at least) like what they find. Except for a certain passage of spoken-word optimism. Bastards can't abide optimism. The music ranges ...
Marta Sanchez: Danza Imposible
by Neri Pollastri
Terzo disco a proprio nome per la giovane pianista e compositrice madrilena Marta Sanchez, formazione classica e alcuni anni passati a New York dopo la decisione di dedicarsi interamente al jazz. La formazione che qui guida è un classico quintetto composta da un trio e da una front line di due sax, ma ha la particolarità ...
Matthew Shipp Trio: Signature
by Karl Ackermann
In the period of 2017-2018, the leading avant-garde and free jazz pianist Matthew Shipp performed and recorded in a variety of small group settings. Often, he was paired with reed players such as Allen Lowe, Mat Walerian, Daniel Carter, Roscoe Mitchell and on an astounding dozen albums with Ivo Perelman. But it is in solo piano ...
Il Meglio Del 2018 Secondo Giuseppe Segala
by Giuseppe Segala
La produzione del 2018 è stata copiosa e alcuni grandi protagonisti, come Henry Threadgill e Steve Coleman, hanno pubblicato documenti significativi della propria attività. Ha fatto giustamente scalpore il ritrovamento delle registrazioni di John Coltrane, pubblicate con il titolo Both Directions at Once, che aggiungono motivi di riflessione e piacere a chi non si stanca di ...
Il Meglio del 2018 Secondo Nicola Negri
by Nicola Negri
Per chi non se ne fosse accorto, stiamo vivendo un momento musicale straordinario, fatto di ricerca senza confini, ibridazioni linguistiche e condivisione di esperienze spesso agli antipodi--insomma diametralmente opposto al periodo storico, in cui l'ignoranza miope delle nuove destre vorrebbe tenerci divisi, ancorati ad un'idea identitaria ormai superata dalla storia. Dal jazz più classico alle ...
Eric Dolphy: Musical Prophet: The Expanded 1963 New York Sessions
by Troy Dostert
Although his iconic Out to Lunch! (Blue Note, 1964) is one of a handful of undisputed avant-garde jazz masterpieces, Eric Dolphy's stature has never quite risen fully to the level of the jazz titans. Some of this is probably due to his untimely death at age 36, just as he was reaching new creative peaks; and ...
