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Musician

Henry Grimes

Born:

Master jazz musician (acoustic bass, violin, poetry) HENRY GRIMES has played more than 600 concerts in 30 countries (including many festivals) since 2OO3, when he made his astonishing return to the music world after 35 years away. He was born and raised in Philadelphia and attended the Mastbaum School and Juilliard. As a youngster in the '50s and early '60s, he came up in the music playing and touring with Willis "Gator Tail" Jackson, Arnett Cobb, "Bullmoose" Jackson, "Little" Willie John, and a number of other great R&B / soul musicians; at Juilliard he played classical music on bass with the opera orchestra and studied with the great Fred Zimmermann, principal bassist of the New York Philharmonic; but drawn to jazz, he went on to play, tour, and record with many great jazz musicians of that era, including Albert Ayler, Don Cherry, Benny Goodman, Coleman Hawkins, Roy Haynes, Lee Konitz, Steve Lacy, Charles Mingus, Gerry Mulligan, Sunny Murray, Sonny Rollins, Pharoah Sanders, Archie Shepp, Cecil Taylor, McCoy Tyner, and Rev. Frank Wright.

Album

Mixed to Unit Structures Revisited

Label: Ezz-thetics
Released: 2021
Track listing: Pots; Bulbs; Mixed; Steps; Enter, Evening (Soft Line Structure); Unit/Structure / As Of A Now / Section; Tales (8 Whisps).

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Article: Album Review

Paul Dunmall & Mark Sanders: Unity

Read "Unity" reviewed by John Sharpe


In spite of a decades long association, Unity constitutes only the second time British reed icon Paul Dunmall has appeared on disc in tandem with drummer Mark Sanders. And on the earlier occasion, Pipe And Drum (FMR, 2012), Dunmall restricted himself entirely to bagpipes of various species, so this outing is notable as the first documentation ...

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Article: Album Review

Cecil Taylor: Mixed to Unit Structures Revisited

Read "Mixed to Unit Structures Revisited" reviewed by Chris May


This story has been revisited before, in the context of an Albert Ayler review, but good stories bear repeating, particularly when they are instructive ones. So here it is again... During a May 2021 interview with All About Jazz, the reed player Shabaka Hutchings was asked to name six albums which had made a more than ...

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Article: Interview

From Aimless to Activist, Bassist Kevin Ray Lands on Higher Ground

Read "From Aimless to Activist, Bassist Kevin Ray Lands on Higher Ground" reviewed by Karl Ackermann


Bassist Kevin Ray has recorded or played with John Stubblefield, Oliver Lake, Greg Osby, Andrew Hill, Marty Ehrlich, Elliott Sharp, John Hicks, Hamiet Bluiett and Nels Cline. Ray has performed in the premieres of works by Joe McPhee, Leroy Jenkins and others. The bassist co-leads the adventurous trio 10³²K's with trombonist/trumpeter Frank Lacy, percussionist Andrew Drury ...

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Article: Album Review

Hasaan Ibn Ali: Metaphysics: The Lost Atlantic Album

Read "Metaphysics: The Lost Atlantic Album" reviewed by Karl Ackermann


The hard bop, Philadelphia pianist Hasaan Ibn Ali had a short, troubled life. On what was believed his only recording, The Max Roach Trio Featuring the Legendary Hasaan (Atlantic, 1965), the drummer placed Ali's full image front and center, his name in a larger font on the LP cover. Within the Philadelphia jazz community, he was ...

Article: Album Review

Cecil Taylor: Mixed to Unit Structures Revisited

Read "Mixed to Unit Structures Revisited" reviewed by Giuseppe Segala


La pubblicazione di Mixed To Unit Structures, nella meritevole collana Revisited Series della Ezz-thetics, sotto-etichetta della svizzera Hat Hut, riunisce due date di registrazione importanti nella vicenda di Cecil Taylor, distribuite tra l'ottobre 1961 e il maggio 1966. La prima, composta dai tre brani “Pots," “Bulbs" e “Mixed," era stata pubblicata dall'etichetta Impulse! nel disco Into ...

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Article: In Pictures

Seeing Jazz: The Photography of Luciano Rossetti

Read "Seeing Jazz: The Photography of Luciano Rossetti" reviewed by Karl Ackermann


As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...

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Article: Album Review

Cecil Taylor: Mixed To Unit Structures Revisited

Read "Mixed To Unit Structures Revisited" reviewed by Mark Corroto


A listener could make it their life's work to absorb and appreciate the music the music of Cecil Taylor. One could possibly approach it as a scholar and musician through notation and transcription—not the recommended approach. Such a task would be similar to the process of systematizing a DNA sequence. Taylor's music, and pardon this analogy, ...

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Article: Profile

Albert Ayler. Un ardito sogno futuristico

Read "Albert Ayler. Un ardito sogno futuristico" reviewed by Giuseppe Segala


Come una meteora, Albert Ayler ha attraversato il firmamento della musica neroamericana, dal 1962 al 1970. E ha lasciato il segno. Una traccia presente e attiva tutt'oggi, nell'operato di numerosi musicisti che dedicano il proprio lavoro all'improvvisazione e alla ricerca di un'autenticità dell'espressione artistica. L'apparizione del sassofonista nel mondo del jazz, una vera epifania, ...


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