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Article: Album Review

Jeff Denson Quartet: Concentric Circles

Read "Concentric Circles" reviewed by Jerome Wilson


The immediate standout feature of Jeff Denson's group is that he uses a bassoon as the reed instrument. That gives an interesting twist to the quartet's sound. Denson's compositions are a free-ranging mix of fast-paced progressive jazz and pretty ballads. The nimble, woody tone of Paul Hanson's bassoon gives an intellectual feel to the ...

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Article: Extended Analysis

Steven Wilson: Hand. Cannot. Erase.

Read "Steven Wilson: Hand. Cannot. Erase." reviewed by John Kelman


Sometimes you never can tell. When British singer, songwriter and multi-instrumentalist Steven Wilson released the old school progressive rock record The Raven That Refused to Sing (And Other Stories) (Kscope, 2013), who knew that it would not only turn out to be his best-selling album since walking away from Porcupine Tree to begin an increasingly successful ...

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Article: Rediscovery

Hatfield and The North: The Rotter's Club

Read "Hatfield and The North: The Rotter's Club" reviewed by John Kelman


Hatfield and The North The Rotter's Club Esoteric Recordings 2009 (1975) Today's Rediscovery is a bit of a lie, because Hatfield and the North's second album, The Rotter's Club, is rarely far from some kind of media player for long. A group that never received the acclaim it deserved back ...

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Article: Profile

Graham Bond: Wading in Murky Waters

Read "Graham Bond: Wading in Murky Waters" reviewed by Duncan Heining


Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians. However, that ...

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Article: Extended Analysis

Steven Wilson: The Raven That Refused to Sing (And Other Stories) [Deluxe Edition]

Read "Steven Wilson: The Raven That Refused to Sing (And Other Stories) [Deluxe Edition]" reviewed by John Kelman


Even though Porcupine Tree began as a solo project for a young Steven Wilson in the late 1980s--and despite the British singer/guitarist/keyboardist remaining its primary composer through to The Incident (Kscope, 2009) and the recent live record from that tour, Octane Twisted (Kscope, 2012)--it's been some time since the group was truly representative of his aspirations, ...

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Article: Interview

Steven Wilson: Luck's What You Make It

Read "Steven Wilson: Luck's What You Make It" reviewed by John Kelman


There was a time when progressive rock really meant what its name suggested: progressive music, music that pushed the boundaries of what rock music was, often by integrating elements of classical music and jazz into the mix. Milestone groups ranging from better-knowns like Yes, Genesis, King Crimson, Jethro Tull, Gentle Giant and Van der Graaf Generator ...

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Article: Record Label Profile

Cuneiform Records: Growing Progressive Music for 27 Years

Read "Cuneiform Records: Growing Progressive Music for 27 Years" reviewed by Mark Redlefsen


Twenty seven years is a long time for a niche progressive music label such as Cuneiform Records not just to survive, but to remain inventive and, in the best sense, ambitious. Steve Feigenbaum founded Cuneiform back in 1984, and with his wife, Joyce, runs it from Silver Springs, Maryland. Hosting bands such as Universe Zero, digging ...

301

Article: Album Review

Steven Wilson: Grace for Drowning

Read "Grace for Drowning" reviewed by John Kelman


Not that he wasn't already busy when, amidst being a driving force behind No-Man, Incredible Expanding Mindfuck and Porcupine Tree, singer/multi-instrumentalist Steven Wilson released his first proper solo recording, Insurgentes (Kscope, 2009), but the past two years have been even more hectic. His outstanding work bringing the King Crimson catalogue into the 21st century with revealing ...

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Article: Record Label Profile

MoonJune Records: A Decade of Progressive Rock Documentation

Read "MoonJune Records: A  Decade of Progressive Rock Documentation" reviewed by Mark Redlefsen


On a moon of this past June, appropriately enough, Leonardo Pavkovic, owner of the progressive jazz label MoonJune Records, gave All About Jazz an interview at the label's office in Union Square, New York City. The name MoonJune Records, which Pavkovic started back in 2001, is taken from the title of a song, “Moon In June," ...

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Article: Album Review

Piccho dal Pozzo: A_Live

Read "A_Live" reviewed by John Kelman


In the continually expanding world of progressive rock--an expansion facilitated through global communities created via the internet over the last decade-and-a-half--it's increasingly common to find groups garnering far more (and, often, well-deserved) attention than they did back in their time. Italy's Picchio dal Pozzo only released two albums back in the day--Picchio dal Pozzo (Grog, 1976) ...


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