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New Exhibits At The Musical Instrument Museum Pay Tribute To The Genres Best
Ahmad Alaadeen once said, “jazz does not belong to one race or culture, but is a gift that America has given to the world.” That gift is alive at the Musical Instrument Museum (MIM) in Phoenix with the opening of two new jazz exhibits that will take visitors on a journey through the past, present and ...
Don Redman: Setting the Template
by Jim Gerard
As someone who came to jazz as a young man in the 1970s, I can attest that subsequent generations of both its chroniclers and, even sadder, its practitioners, have succumbed to the peculiarly and regrettable American disease of a-historicism. They've shoved jazz history through a sieve, reducing it from an epic tale of heroic ...
Vince Guaraldi at the Piano
by Derrick Bang
This article appears in the prologue of Vince Guaraldi at the Piano by Derrick Bang (McFarland Books, 2012).Prologue: “The Sound of Surprise" Saturday, October 4, 1958: shortly after midnight, at the first-ever Monterey Jazz Festival.It had been a busy day; indeed, it was already a long three-day weekend. Headliner Louis ...
Dave Brubeck: The Inspired Moment of Unity
by Bob Kenselaar
[Standing tall with a flowing salt-and-pepper mane, Dave Brubeck had a broad smile and was quick to laugh when I met him in the fall of 1978 at publicist Peter Levinson's New York office for this interview. He was enjoying his tour with the New Brubeck Quartet, the group he formed with his sons. He reminisced ...
Rick Lawn’s Power of Ten Little Big Band: Earth Tones
by Victor L. Schermer
Rick Lawn's Power of Ten Little Big BandEarth TonesSelf Produced2011The “little" big band format, an ensemble that may range from seven to 11 instrumentalists, gives the leader/arranger/composer--in this case the multi-faceted reed player Rick Lawn--a chance to finely craft the music and bring in players who are equally ...
Tom Everett: Jazz at Harvard
by Andrew J. Sammut
It's no accident that forty years of jazz at Harvard coincides with forty years of Tom Everett at the esteemed university. Everett founded Harvard University's first student jazz band, taught its first jazz history course and welcomed the campus' first visiting jazz artist. He now leads two jazz bands at the prestigious university, continues to teach ...
Heigh Ho, Heigh Ho, It's Off To Jazz We Go . . .
by Jack Bowers
Just west of Albuquerque, across the Rio Grande River, lies the picturesque village of Corrales (population around 7,500). Among its residents (and natural resources) is world-renowned jazz trumpeter Bobby Shew. With a musician of his caliber within arm's reach, it would have been imprudent not to call upon him to take part in the village's Music ...
Jeff Lofton: Jazz to the People
by Josep Pedro
Born in Germany and raised in South Carolina, Jeff Lofton's trumpet sound has become a striking force in Austin's music scene since moved there about four years ago. Friendly and bright in his reasoning, Lofton has proved to be a versatile, mature musician overtly combining straight-ahead jazz with fusion. His appealing, laidback character and soulful playing ...
Corky Hale to Make Kennedy Center Debut in 16th Annual Mary Lou Williams Women In Jazz Festival
The John F. Kennedy Center for the Performing Arts 16th Annual Mary Lou Williams Women In Jazz Festival will present “Corky Hale And Friends," featuring Corky Hale, the critically acclaimed and renowned jazz harpist, pianist and vocalist on Saturday, May 21, 2011 at 7:00 p.m. in the Terrace Theater of The John F. Kennedy Center for ...
Lauren Sevian: Big Voice on the Big Horn
by R.J. DeLuke
Swaying slightly, with eyes closed, Lauren Sevian pours a lot of heart and grit into the big, baritone saxophone--the largest of the most commonly played saxophones and an axe that looks even more considerable when seen against her small frame. She comes out with an imposing sound and welcoming style, put forth through a striking conception. ...
