Results for "harp"
Performing on the 21-string Mandinka Harp and the Turkish Oud, Kane Mathis renders compelling interpretations of these traditional musics. Years of study with generous masters have given Kane a rare opportunity to share these traditions with other cultures. Kane began taking trips to The Gambia, West Africa in 1997 and has continued rigorous study of the Mandinka Kora. Over the past ten years his performances have earned him recognition by the Gambian president, The Gambian minister of culture, and both national television and radio of The Gambia. Kane’s primary kora teachers are Malamini Jobarteh of Brikama, The Gambia and Moriba Kouyate of The Gambia. The Jobarteh family remain one of The Gambia’s most important musical legacies
Harpist Julie Campiche’s work is an on-going process of musical innovation. Through research and experimentation she has developed the use of electronic effects that enhance the scope of her improvisational work. She has a very personnel technique and her own musical language. Julie introduced her harp into the world of jazz and contemporary music in a very organic way. She now performs in numerous European clubs and festivals on a regular basis. Through her innate curiosity and desire for new experience she plays with groups that have diverse instrumentation and esthetics. Be it theatre or contemporary performance, octets or duos, compositions or free-style improvisation, Julie infuses her music with an urgent fragility
Alina is one of the most exciting and dynamic harpists based in the UK. Her imaginative programmes have established her reputation as a harpist of exceptional accomplishment. She has had the honour of playing at European Parliament, at the Queen’s 80th-birthday celebrations at Balmoral Castle and at the King of Thailand’s birthday celebrations in Bangkok. Alina studied at the F. Chopin Academy of Music in Warsaw, Poland (Masters in Arts), and The University of Arizona, USA (Masters in Music Performance). She has performed with many major European orchestras including the Young World Symphony Orchestra, the National Opera in Warsaw and the Scottish Opera
cafeAmaro = Diane Peters+Apo( tech) Diane Peters - harp and vocals Andrea Ponzoni - electronica and keys (LA VERSIONE ITALIANA, SOTTO RIPORTATA ) Born out of an improvisation duo of d.j. and harp, cafeAmaro has now become an album of all original music, and an articulated electro-acoustic project with no boundaries of genre, floating between ambient, soundscape, electronica, nu-jazz and pop. A dreamlike journey of harp, voce and electronica. The live performance is accompanied by faded random super 8 images, giving a special atmosphere to the nocturnal lounge sound. “cafeAmaro is a successful combination of art between video, elettronica music, voice and harp , poetry and emotion in the moment
MICHAEL O’SHIVER is no ordinary harpist. Blending his “Kansas City Jazz” background with more than 15 years musical experience in the Caribbean, Michael plays rhythms you wouldn’t believe possible on the harp such as Calypso, Samba, Bossa Nova, Salsa and many more. He has performed, recorded or produced for Bob Hope, Dizzy Gillespie, Dave Brubeck and more. Not only does he perform on harp, but add a grand piano and a microphone and you have a Jazz party! Check out these youtube links for his work with High Vibe Music http://youtu.be/0Qo4zrnJnZ4 and learn about Heathers Art Garden http://youtu.be/b5gqwTXxfMI
Jazz is Cara's passion. It's an aural art form, one that can't be learned fully from books or charts. The best teacher is the sound itself - this was her primary mentor. Old 78s and LPs and performances. She began singing in Texas and Louisiana while still too young to legally get into the bars. Old enough to connect with the music, vamp with a tune, collaborate with a quartet and deliver a song that audiences loved. Always drawn to the incredible era of early jazz from the 20s and 30s, her primary influences include Alberta Hunter, Mildred Bailey, the Boswell Sisters, Anita O'Day, Chris Connor, Hoagy Carmichael and Jack Teagarden
Natalia Mann is known for her contemporary style of harp playing. She works internationally as performer, composer, collaborator and recording artist in a diversity of genres. Mann was born in New Zealand in 1975, of Samoan/Anglo-Celtic descent. She began studying classical music at the age of four when her family lived in Los Angeles, her primary instruments being harp and piano. She continued her studies in New Zealand eventually to rank among the top harpists in the country, playing for the New Zealand Symphony Orchestra, new music ensembles, opera, ballet and theatre. Curiosity led her to explore other forms of music, and she realised her passion for improvisation
Harpist, Composer and Educator Professional musician for more than 20 years, performing and recording with many great musicians such as Beñat Achiary, Michel Bénita, Thomas Beuf, David Binney, Marc Buronfosse, Tommy Crane, Tam de Villiers, Catherine Delaunay, Jacques Dor, Peter Erskine, Alexandra Grimal, Brigitte Jacquot, David Linx, Didier Lockwood, Fabrice Moreau, Louis Moutin, Eivind Opsvick, Monica Passos, Joe Quitzke, Johan Renard, Olivier Sens, Sébastien Texier, David Venitucci, Norma Winstone…, and many other in more than 20 countries. Recorded 6 albums of her own compositions in France and in Germany, and a DVD
Scott Marischen is a seasoned professional full time live, studio, solo, group and event musician. He plays the electric and acoustic harps, and electric and acoustic guitar. He writes, reads and transcribes music. Based in South Florida, Scott has been performing in and around the state of Florida and around the country for over 35 years. He can play any music style from Classical, Jazz, Rock, Blues, R&B, Pop, Disco, Reggae, World and more. Scott was born in Marathon Florida, part of the Florida Keys and raised by immigrant parents who seldom wore clothes and worshiped the sun. There he learned the ways of the ocean, fishing and making bamboo instruments..