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Article: Bailey's Bundles

Formats – Solo Through Nonet

Read "Formats – Solo Through Nonet" reviewed by C. Michael Bailey


One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste ...

3

Article: Live Review

WDR 3 Jazzfest 2018

Read "WDR 3 Jazzfest 2018" reviewed by Henning Bolte


Theater Gütersloh / Bunker Ulmenwall BielefeldGütersloh / Bielefeld February 1-3, 2018 WDR stands for Westdeutscher Rundfunk, which is the public radio organization of the German federal state of North Rhine Westphalia based in Cologne, the jazz capital of the federal state. WDR 3 refers to the third program-line nowadays also indicated as ...

6

Article: Album Review

Walter Smith III: Twio

Read "Twio" reviewed by Roger Farbey


The unashamedly retro cover art of Twio accurately signposts the content of this imaginative album's track selection of jazz classics and standards. The only exception to this programme is Walter Smith III's original composition “Contrafact," chordally based on “Like Someone In Love" but given a 5/4 makeover. This involves the twin tenors of Smith and guest ...

6

Article: Album Review

Adam Shulman Sextet: Full Tilt

Read "Full Tilt" reviewed by Jack Bowers


In music, as in life, not every new voice is worth hearing. Here's one that is. Full Tilt, the fifth CD by San Francisco-born and based pianist Adam Shulman's sextet, is a throwback to those halcyon days when bop was king and giants like Diz, Bird, Miles, Max Roach, Hank Mobley, Benny Golson, Horace Silver, Wardell ...

4

Article: Live Review

Mark Hagan's Jazz Salon At The Old 76 House

Read "Mark Hagan's Jazz Salon At The Old 76 House" reviewed by David A. Orthmann


Mark Hagan's Jazz Salon The Old 76 House Mark Hagan's Jazz Salon Tappan, NY January 24, 2018 A couple of minutes into “How Deep Is The Ocean," the first selection of an opening set, without uttering a word, the ad hoc group assembled by bassist Mark Hagan offered assurances that ...

Album

To One So Sweet Stay That Way - Hank Mobley in Holland

Label: Nederlands Jazz Archief
Released: 2017
Track listing: Theater Bellevue, Amsterdam, March 20, 1968; Summertime; Sonny's Tune; Airegin; VARA Studio, Hilversum, March 28, 1968; I Didn't Know What Time It Was; Twenty-Four And More; Jazzclub B14, Rotterdam, March 29, 1968; Blues By Five; Like Someone In Love; Vierd Blues; Three Way Split; Autumn Leaves;

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Article: Album Review

Pat Martino: Formidable

Read "Formidable" reviewed by Victor L. Schermer


The title “Formidable" and the striking cover photo of Pat Martino in profile in front of a statue of a lion suggests that the great guitarist is going to unleash awesome powers. However, the proper meaning of formidable in this context is more to be taken as the presence of the master. Here and now, in ...

3

Article: Album Review

Cory Weeds: Let's Groove: The Music of Earth Wind & Fire

Read "Let's Groove: The Music of Earth Wind & Fire" reviewed by Jack Bowers


When last heard from, Canadian Cory Weeds was wielding a mean neo-swing tenor saxophone with the superb Jeff Hamilton trio on the albums Dreamsville and This Happy Madness. On Let's Groove: The Music of Earth, Wind & Fire, Weeds moves from tenor to alto (with no loss of merit) alongside tenor and fellow Canadian Steve Kaldestad, ...

10

Article: Album Review

Leo Richardson Quartet: The Chase

Read "The Chase" reviewed by Roger Farbey


An alumnus of London's Trinity College of Music, tenor saxophonist Leo Richardson, who incidentally is the son of bassist Jim Richardson (formerly of the jazz rock band If), graduated from the College with a first class honours degree in Jazz Performance. Whilst studying at Trinity he was tutored by some world class players including Jean Toussaint, ...

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Article: Album Review

The Dan Banks Quintet: Two in a Box

Read "Two in a Box" reviewed by Jack Bowers


On Two in a Box, British pianist Dan Banks' quintet revisits a Golden Age in jazz when hard bop was king and record labels like Prestige and Blue Note delivered the latest sounds to an astute and appreciative audience. Without mimicry, Banks reimagines the indomitable spirit of such masters as Red Garland, Wynton Kelly, Bobby Timmons, ...


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