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Musician

Hall Overton

Born:

19

Article: Year in Review

2020: The Year in Jazz

Read "2020: The Year in Jazz" reviewed by Ken Franckling


The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what “new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...

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Article: Radio

The Hall Overton Centennial & More

Read "The Hall Overton Centennial & More" reviewed by Marc Cohn


February birthdays on Gift & Messages with the Hall Overton centennial. We feature his arrangement of “Little Rootie Tootie" for the Thelonious Monk Orchestra, where Hall takes the piano solo from the Monk's first trio recording and orchestrates it for the entire big band! You'll hear both back-to-back. Stunning, for the arrangement and the playing, is ...

Article: Multiple Reviews

I nuovi progetti di Miho Hazama

Read "I nuovi progetti di Miho Hazama" reviewed by Angelo Leonardi


È da mezzo secolo, ovvero dai tempi Toshiko Akiyoshi, che dal Giappone non emergeva una bandleader così talentuosa. A soli 33 anni Miho brucia letteralmente le tappe: presenta il terzo disco a capo del suo collettivo M_Unit Dancer in Nowhere e, quasi in contemporanea e sempre per la Sunnyside Records, la sua personale rilettura dei classici ...

2

Article: Album Review

John Beasley: Monk'estra, Vol. 2

Read "Monk'estra, Vol. 2" reviewed by Angelo Leonardi


Dopo il primo volume (Monk'estra vol.1, Mack Avenue 2016), John Beasley amplia l'organico e invita nuovi ospiti per un'altra rivisitazione del pianeta Monk. Galvanizzato dalle ottime accoglienze del debutto, il bandleader presenta nuovi estrosi arrangiamenti dal classico songbook del pianista. In effetti il vocabolario orchestrale monkiano è quasi tutto da costruire se si eccettuano i progetti ...

1

Article: Lyrics

Nuove Orchestre Alla Ribalta

Read "Nuove Orchestre Alla Ribalta" reviewed by Angelo Leonardi


Da anni non si vedevano all'opera tanti nuovi ensemble, sia negli Stati Uniti che in Europa. Le cinque formazioni che presentiamo spaziano da quella giovanile come l'italiana New Talents Jazz Orchestra guidata da Mario Corvini (Extempora) alla big band di John Beasley ricca di stelle (Monk'estra -Vol. 1); dai progetti norvegesi del pianista Rune Klakegg (Fjon) ...

3

Article: New York Beat

John Coltrane's Music Gets New Life at Lincoln Center

Read "John Coltrane's Music Gets New Life at Lincoln Center" reviewed by Nick Catalano


In jazz history, the often ignored contributions of the great arranger/orchestrators can never be overestimated. It was Jelly Roll Morton's orchestral writing that enabled “Black Bottom Stomp" to soar. In trumpeter Miles Davis' Sketches of Spain (Columbia, 1960), it was Gil Evans' pen that created the magic. At Town Hall, it was Hall Overton's arrangements that ...

103

Article: Multiple Reviews

Thelonious Monk Redux

Read "Thelonious Monk Redux" reviewed by Raul d'Gama Rose


Perhaps there are no better contemporary homages to pianist and composer Thelonious Monk than the ones re-imagined by soprano saxophonist Steve Lacy and trombonist Roswell Rudd, as well as by pianist Misha Mengelberg. But the greatest of all is the short one by composer and pianist Heiner Stadler. That seminal album--Tribute to Bird and Monk (Tomato, ...

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Article: Live Review

Dave Liebman Big Band At Chris’ Jazz Café

Read "Dave Liebman Big Band At Chris’ Jazz Café" reviewed by Victor L. Schermer


Dave Liebman Big BandChris' Jazz CaféPhiladelphia, USAOctober 30, 2010 On this night, bringing together some of the best and most creative musicians in the business, the Dave Liebman Big Band exceeded any and all expectations from a large group, in sharp contrast with many which, today, simply offer a potpourri of ...

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Article: Interview

Sam Stephenson: A "Loft-y" Vision of Jazz

Read "Sam Stephenson: A "Loft-y" Vision of Jazz" reviewed by Victor L. Schermer


When, in 1997, writer, scholar, and archivist Sam Stephenson serendipitously came across audio tapes, photographs and other documents involving jazz musicians congregating in photographer W. Eugene Smith's Manhattan loft in the late 1950s and early 1960s, he was surprised as anyone. The wall of cartons had been unopened since before Smith's death in 1978. Stephenson and ...


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