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Jazzrausch Bigband: Sinfonie in Cis-Moll: III. Scherzo. Kräftig, Nicht Zu Schnell
by Geno Thackara
Gustav Mahler always lamented that nobody understood his fifth symphony, claiming it was cursed. Fair enough; even as this most epic musical form goes, it was a work arguably packed with more layers of emotion than most. Jazzrausch Bigband, however, figured out that those shades can come through just as much with a massive heap of ...
The Plaintive Sigh of a Sonic Doppelgänger: Why are Minor Chords Perceived as “Sad”? Part 2
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Sad Song Survey IV. The Power of the Minor Chord and Minor Keys in Classical and JazzTo begin our discussion on what it is that makes minor chords sad, we will first listen to some examples of the use of minor chords and minor ...
Kenji Lee's Fortune Teller Trio: Kyūdō
by Troy Dostert
Detroit-based tenor saxophonist Kenji Lee brings a heady concept to his latest release, Kyūdō. Drawing inspiration from the practice of Japanese archery, Lee sees his music as a pathway to spiritual growth, a process in which technical mastery and an abiding aesthetic sensibility are conjoined. Harnessing the sympathetic partnership of his colleagues, bassist Andy Peck and ...
Paolo Paliaga e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica Più che mia" direi nostra. La forza dell'Alboran Trio risiede nel fatto di essere frutto di un lavoro collettivo in cui collaboriamo anziché competere. Con Ferdinando Faraò il progetto è ripartito con grande entusiasmo proprio perché non abbiamo bisogno di parlare, spiegare e razionalizzare il lavoro. Io scrivo ...

