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Article: Live Review

Molde International Jazz Festival 2013

by John Kelman
July 29, 2013

Molde International Jazz Festival Molde, Norway July 15-20, 2013It may have been his last year as festival director, but Jan Ole Otnæs sure went out on a high, not just because his programming was as impeccable as ever, but because he made it a year with a very specific philosophy. ...

Article: Album Review

Barnicle Bill Trio: No Black Tie

Read "No Black Tie" reviewed by Ian Patterson

by Ian Patterson
July 12, 2013

Barnicle Bill Trio dates to 2009, when drummer John Engels, bassist Mark Haanstra and alto saxophonist Miguel Martinez moved beyond jam sessions to the recording studio. BBT's eponymous debut (Self Produced, 2010) served up straight ahead, old-school jazz standards, with singer-songwriter Elvis Costello's “Almost Blue" the sole nod to modern times. BBT's second recording features another ...

Article: Live Review

2013 Montreal Jazz Festival: June 28-July 2, 2013

by John Kelman
July 11, 2013

Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2013After taking a year off to curate an All About Jazz Presents: Doing It Norway at Norway's 2012 Kongsberg Jazz Festival, it was great to return to the city that hosts what must surely be the largest jazz festival in the world. Where else ...

Article: Take Five With...

Take Five With Sarpay Ozcagatay

by AAJ Staff
May 26, 2013

Meet Sarpay Özçağatay:Sarpay Özçağatay born in Ankara, Turkey, is a talented flutist, EWI player, composer, performer, and bandleader. Sarpay has performed with many jazz musicians and legends such as Ron Carter, Kevin Eubanks, David Fiuczynski. Terri Lyne Carrington, Eric Gould, Greg Osby, Steve Turre, and many more. He studied classical ...

Article: Interview

Yuhan Su: Good Vibes

by Ian Patterson
May 21, 2013

Everybody loves the romance of a comeback: the phoenix-like rise from adversity, long-term exile, obscurity or defeat. Think of US President Abraham Lincoln's travails, boxer George Foreman's regaining the World Heavyweight title at the age of 45, actor Sean Connery's return as Bond, David Bowie's eternal reinvention or, indeed, the peculiar cycles of fashion that have ...

Article: Interview

Terri Lyne Carrington: The Long Road

by R.J. DeLuke
April 22, 2013

"Better Git It in Your Soul," a perspicacious jazz man once communicated in a song title more than half a century ago. Drummer Terri Lyne Carrington wasn't even born yet, but she sure did have it in her soul upon arrival. Long before she was even aware of bassist Charles Mingus, the author of those words, ...

Article: Take Five With...

Take Five with Aruan Ortiz

by AAJ Staff
April 19, 2013

Meet Aruan Ortiz: Named “the latest Cuban wunderkind to arrive in the United States" by BET Jazz, this classically trained violist and pianist from Santiago de Cuba, considers himself “a curious person who loves music," and portrays his music as an architectural structure of sounds, incorporating contemporary classical music, Afro-Cuban rhythms, and improvisation as primary material ...

Article: Take Five With...

Take Five with Ted Sirota

by AAJ Staff
April 17, 2013

Meet Ted Sirota: Veteran Chicago drummer, Ted Sirota, has been playing the drums since 1980. Ted has lead his own band, Ted Sirota's Rebel Souls, since 1996. Rebel Souls have recorded five CD's for the Naim & Delmark labels. Ted has also played every Saturday night from 12:30-5:00am at Chicago's top jazz club, The Green Mill, ...

Article: Opinion

Death, Rebirth & New Revolution

by Ian Patterson
February 20, 2013

The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...

Article: Album Review

Robert Mitchell: The Glimpse

Read "The Glimpse" reviewed by Bruce Lindsay

by Bruce Lindsay
January 31, 2013

Pianist Robert Mitchell offers insight into a very particular musical place on The Glimpse: the world of solo, left hand only piano. The left hand: the hand responsible for the rhythm, the hand that keeps the beat, that lies in thrall to the melodic, excitable and exciting right hand. Why on earth would anyone want to ...