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Tineke Postma/Greg Osby: Sonic Halo
by Dan Bilawsky
Greg Osby has influenced legions of saxophonists over the past two-plus decades. On Sonic Halo, one of those players stands tall beside him. Once upon a time, Osby and dutch saxophonist Tineke Postma had a mentor-mentee relationship, but that was then, and this is now. Both players are equals on this probing venture. ...
Andy Milne and Dapp Theory: Forward in All Directions
by Phil Barnes
Not all albums register immediately, sometimes it takes a while for unusual and individual music to settle in your subconscious, reveal itself incrementally as little details emerge with familiarity. This new release from Andy Milne and Dapp Theory, on Whirlwind records in the UK, is a good case in point Toronto born Pianist and ...
Nicola Conte: Free Souls
by Enrico Bettinello
Tutta l'anima di Nicola Conte. Inconfondibile. Mettiamo un po' in ordine gli elementi. La sua passione per la black music è vera e consapevole, ormai da anni: jazz, soul, latin, bossanova, funk, sono elementi di un vocabolario che ha le pagine un po' ingiallite come si conviene a chi si bagna nei ...
Henry Threadgill: Very Very Threadgill 2014
by Kurt Gottschalk
Henry Threadgill Harlem Stage Gate House Very Very Threadgill New York, NY September 27-28, 2014 Henry Threadgill isn't one to repeat himself. In nearly 40 years of recording, he's only repeated a few compositions. So why would a retrospective of his work by a mere recapitulation? Very Very Threadgill--held ...
Tyshawn Sorey: Alloy
by Karl Ackermann
From an early age composer/drummer/educator Tyshawn Sorey has found creative outlets in not just music but in painting and literature as well. Never one to compartmentalize his own imagination, he has enthusiastically explored blues, gospel, classical and music for dance so it seems quite natural that his current music defies categories. Whether listening or writing, he ...
Sara Serpa & André Matos: Primavera
by Robert Bush
Although there are (mostly) just two musicians on Primavera, the first recorded collaboration between Portuguese songbird Sara Serpa and guitarist Andre Matos--one couldn't ask for a more sonically lustrous offering. That's partially due to the result of judiciously applied multitracking, and to the intricate melodic sense of both musicians. There is nary an extra note or ...
Zbigniew Seifert International Jazz Violin Competition
by Ian Patterson
1st Zbigniew Seifert International Jazz Violin Competition Krzysztof Penderecki European Centre for Music Luslawice/Krakow Poland July 16-19, 2014 He was one of the great jazz virtuosos, right up there some would say with Django Reinhardt, Art Tatum and Charlie Parker. Most frequently, however, he was compared to John ...
TD Ottawa Jazz Festival 2014, Days 7-9
by John Kelman
Days 1-2 | Days 4-6 | Days 7-9 Anat Fort / Susanna Torben Waldorff Wah Wah / Norma WInstone Partisans TD Ottawa Jazz Festival Ottawa, Canada June 20-July 1, 2014 For the last three days in Ottawa before heading to Montréal for five days of the Festival ...
Subtext
by John Kelman
Change is a fact of life, and it's something that's better to be embraced than challenged; as inevitable as death and taxes, it's one of those things that you may as well accept, because there are few, if any, options to do otherwise. That said, while the then-aptly titled Parting Shot (Tone Center, 2011) suggested that ...
Steve Khan: Subtext
by Dan Bilawsky
Guitarist Steve Khan's latter day work has been increasingly focused on Latin jazz fusion of various shapes, so the scope and direction of Subtext should come as no surprise to his longtime followers. This album arrives three years after Parting Shot (Tone Center, 2011) and runs along similar lines. That one was an originals-heavy, percussively-coated session ...
