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Article: Album Review

Nobuki Takamen: The Nobuki Takamen Trio

Read "The Nobuki Takamen Trio" reviewed by Chris Mosey


Nobuki Takamen is, in all probability, the best jazz guitarist Japan has ever produced. Nowadays he lives in New Jersey but tours his homeland regularly. His playing is marked by good taste and sensitivity. He is a highly inventive guitarist, his runs and progressions never quite going where you expect them to go but always making ...

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Article: Album Review

Alex Lefaivre: YUL

Read "YUL" reviewed by Geno Thackara


Surely this isn't a Christmas recording released at the height of summer, you ask? Not a homage to the great Yul Brynner either? No, the title in question is less obvious and thankfully more interesting than that. Its appeal is a subtle kind, which is well suited to Alex LeFaivre's supportive sensibility as bassist. His strengths ...

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Article: Album Review

Ben Paterson: Live at Van Gelder's

Read "Live at Van Gelder's" reviewed by Jack Bowers


Jazz organ trios have been with us for well over half a century now with not much change in nature or design. There are basically two explicit issues that any such band must address: has it chosen its material with care, and even more to the point, does it swing. Happily, organist Ben Paterson's tight-knit group ...

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Article: Album Review

Jack Wilkins: Windows

Read "Windows" reviewed by Chris May


Guitarist Jack Wilkins' debut on producer Bob Shad's Mainstream label lay gathering dust for almost forty-five years before being reissued on CD by Solid Records in 2017. That disc, and now WeWantSounds' 2018 vinyl edition, have restored to general circulation an album that can be filed alongside such mid-twentieth century jazz-guitar gems as Johnny Smith's Moonlight ...

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Article: Album Review

Ben Paterson: Live at Van Gelder's

Read "Live at Van Gelder's" reviewed by C. Michael Bailey


Following up his very well-received recordings That Old Feeling (Cellar Live Records, 2018) and For Once in My Life (Origin Records, 2015), Ben Paterson enters the sanctum santorium of jazz recording, Rudy Van Gelder's Studio in Hackensack, NJ. Having collided somewhere with saxophonist/entrepreneur Cory Weeds, the two initiate an idea perfect to the pair's hard bop ...

News: Video / DVD

StLJN Saturday Video Showcase: The Grant Green Story

StLJN Saturday Video Showcase: The Grant Green Story

This week, we take a brief respite from previewing upcoming performances for a look at the recent documentary film The Grant Green Story. Born in St. Louis in 1931, Green was a popular jazz guitarist in the 1960s and '70s, recording for Blue Note and other labels and playing most of the major venues of the ...

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News: Recording

When Grant Green Got Funky

When Grant Green Got Funky

Two previously unissued Grant Green albums are giving the guitarist’s music something of a comeback. Green, who died in 1979 when he was 47, recorded extensively for the Blue Note and Prestige labels in the 1960s and ‘70s with Stanley Turrentine, Kenny Dorham, Hank Mobley, Lee Morgan and other leaders. Later, Blue Note recordings under his ...

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News: Birthday

Jazz Musician of the Day: Grant Green

Jazz Musician of the Day: Grant Green

All About Jazz is celebrating Grant Green's birthday today! Green was born on June 6, 1931 in St. Louis, Missouri. He first performed in a professional setting at the age of 13. His early influences were Charlie Christian and Charlie Parker; however, he played extensive R & B gigs in his home town and in East ...

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Article: Album Review

Quentin Angus: In Stride

Read "In Stride" reviewed by Geno Thackara


Quentin Angus comes across as the kind of player who's seemingly absorbed everything in developing a repertoire--one whose extensive study lets him draw on any style and throw out familiar licks on a whim. Here we have soft electric tones worthy of Grant Green crossed with the expansive compositional smarts of Pat Metheny. Fleet lines and ...

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Article: Album Review

Gregory Lewis: Organ Monk Blue

Read "Organ Monk Blue" reviewed by Jerome Wilson


Organist Gregory Lewis gained the nickname “Organ Monk" due to his specialization in the music of Thelonious Monk. Known for his exaggerated, florid playing, this is the third CD he's done of Monk's music and this time he has teamed up with a musician who can match him flourish for flourish, chameleon guitarist Marc Ribot.


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