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Mike Reed's People, Places and Things: A New Kind of Dance
by Glenn Astarita
You can always count on drummer, bandleader Mike Reed to jar your neural network on a per-album basis. Indeed, he's a propulsive force; an acute progressive jazz visionary, and a luminary in Chicago's forward-moving improvisational dynamic, while also hosting and promoting jazz/improvisation festivals in the Windy City. Otherwise, his People Places & Things unit strikes again ...
Nashville Electric: Orson's Folly
by Glenn Astarita
This is not an ambient-electronic, celestial voyage or new age type gala. In fact, it's a scoring of actor, director Orson Welles' “Four Men on a Raft" sequence from his 1942 documentary It's All True. This was a film that the US Government expected to be sugarcoated as part of a cultural exchange program with Brazil. ...
Sean Sonderegger's Magically Inclined: Eat The Air
by Glenn Astarita
New York City-based saxophonist, composer Sean Sonderegger's Magically Inclined unit consists of artists he performed with for late composer, conductor Butch Morris' ensembles amid other regional jazz and improvisation units. Perhaps his involvement with Morris and studies with multi-reedman, composer Anthony Braxton among other notables, spawned the genesis for these rather complex works, often modeled with ...
Benoit Delbecq 3: Ink
by Glenn Astarita
Berlin-based bassist Miles Perkin handles the duties previously held by revered French bassist Jean-Jacques Avenel (Steve Lacy, Pharoah Sanders) who passed away in 2014. Therefore, this enterprising piano trio led by Frenchman Benoit Delbecq surges forward with the similar level of ingenuity conveyed on The Sixth Jump (Songlines, 2010). In addition, Congolese drummer Emile Biayenda intersperses ...
Pixel: Golden Years
by Glenn Astarita
Pixel is not your prototypical Scandinavian jazz ensemble, evidenced by many ECM Records recording artists' known for integrating atmospherics and chamber-jazz proclivities into wide- open or temperate jazz improvisational forums. Of course, this is not a bad thing, yet the quartet adheres more to an Indie progressive jazz-centric rock vibe, largely fed by bassist, vocalist Ellen ...
Scott Clark 4tet: Bury My Heart
by Glenn Astarita
Richmond, VA., resident Scott Clark is a drummer who projects a lot of get-up-and-go during these jaunty progressive jazz works, inspired by his Native American ancestry. Hence, the 4tet and guest artists execute a set framed on Native American incidents largely based on hardships and trauma but Clark's manifesto also proffers hope. The six ...
Fuchsia: Fuchsia
by Glenn Astarita
In the late 1960s and beyond, British bands such as Fairport Convention and a few others made a splash by fusing folk and rock into a cohesive whole, and in many instances caught the attention of progressive rock acolytes, due to the artists' high-level of musicianship and multifarious song-forms. Even though Fuchsia released only one album, ...
Whirlpool with Ron Miles: Dancing on the Inside
by Glenn Astarita
Venerable cornetist Ron Miles sat in with the core bass-less trio, Whirlpool during a 2013 live performance at a music venue in the hornist's hometown, Denver CO in 2013. As the story goes, this union resulted in synergistic output, leading to Dancing on the Inside. Guitarist Jeff Swanson advises that the “The music was written specifically ...
Luís Lopes/Jean-Luc Guionnet: Live At Culturgest
by Glenn Astarita
Experimental jazz improvisers, guitarist Luis Lopes (Portugal) and Jean-Luc Guionnet (France) align their creative wares for a largely ferocious program consisting of two lengthy tracks, captured live at a Lisbon venue. The respective artists employ surgical deconstruction mechanisms to get the job done with some wily Sci-fi like motifs that may summon an impending Armageddon or ...
The Peeled Eye: The Peeled Eye
by Glenn Astarita
Berlin, Germany-based Shameless Records is managed by seasoned and well-travelled multi-instrumentalist Boris Hauf who resides as a prominent Euro-jazz improviser and experimentalist while also recording with members of Chicago's fruitful improv circuit. No doubt, Hauf is known to trek into unchartered musical arenas, evidenced by the band Efzeg where micro-textures and minimalism often serve as a ...
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