Home » Jazz Articles » Album Review » Jess Rowland: Spambots

81

Jess Rowland: Spambots

By

View read count
Jess Rowland: Spambots
San Francisco-based sound artist, synthesist and commissioned composer Jess Rowland assembles a freaky android-like aural fest via text-to-speech loops, cyclical narrations and perhaps modern era Beat poetry atop supercharged electronics and dissimilar tonalities. Running at LP length, Rowland and drummer Pete Stalsky don't overcook matters. Her overlapping narrations, sometimes built on short phrases and a mélange of effects ride above the drummer's staggered cadences. Yet the duo intersperses crunching distortion and electro-mechanical type sounds into the mix.

Rowland enacts a buoyant platform, and fuses ambient soundscapes, thunder and percussion into "Invisible." Moreover, she talks about dropping acid on the amusing "Hot Dog Acid pt. 1" also featuring narrative overlays, sax parts and keys augmented by her sardonic wit, as "Hot Dog Acid pt. 2" is about eating a hot dog while hallucinating. Here, she embeds a lounge music vibe with zany electronics treatments. On "Random Access Y," a programmatic pulse underscores fragmented diversions and a soprano sax that sounds as though it's way off in the distance. Indeed, Rowland employs a vast array of samples and all things electronic or digital as an abstract artist would use a brush and easel.

Many of these often speedily paced iterations feature recurring narratives, seemingly induced with computer software manipulations and a highly rhythmic platform. Think of a hyper maniacal Captain Beefheart for the Internet information age, spiced with reverberating themes and an undulating soundstage that is wacky, crazily entertaining and shrewdly enacted from start to finish. Thus, Rowland makes her case rather effectively during a judiciously meted out timeframe sans any overkill.

Track Listing

Capitalism Lobster; Whose Pockets; Spambots; Plastiglomerate; Invisibility; Hot Dog Acid (part 1); Hot Dog Acid (part 2); Random Access G; Return of the Spambots; Random Access X; Random Access Y; Random Access Z; Return of the Spambots (part 2).

Personnel

Jess Rowland: tonal instruments, electronics, programming; Pete Stalsky: drums.

Album information

Title: Spambots | Year Released: 2015 | Record Label: Edgetone Records

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.